Nekrasov. Nekrasov They don’t abuse us

Life and work of the Russian poet.

Nikolay Alexeyevich Nekrasov

November 22, 1821, the village of Sinki, Podolsk province - December 27, 1877, St. Petersburg.

Childhood

Born into the family of an officer who came from a noble family, his mother, nee Zakrevskaya, was the daughter of a wealthy possessor of the Kherson province. In 1824, his father retired and moved to his estate in Greshnev (Yaroslavl province), where he began to lead the ordinary life of a small nobleman, who had at his disposal only 50 serf souls.

About studying.

In 1832 Nekrasov entered the Yaroslavl gymnasium, where he graduated from 5 classes. At the insistence of his father, who wanted a military career for his son, he went to St. Petersburg in 1838 to enlist in military service, but did not go into service, but instead began active preparation for passing the entrance exams to the university. Nekrasov failed the exams and signed up as a volunteer student at the Faculty of Philology. The father, angry at his son's action, left him without financial support.

The beginning of a creative journey .

Nekrasov faced acute need, earned money by tutoring, rewrote letters for illiterate senders, wrote reviews of plays and books, poetic parodies, notes published in "Literary addition to the Russian disabled person" and in the "Literary newspaper", feuilletons and vaudevilles, which were successfully performed in St. Petersburg Alexandrinsky Theater .

« Dreams and sounds" -first book Nekrasova.

IN 1840 Using the money he earned from literary day labor, he published a collection of poems written under the influence of romantic poets: V. A. Zhukovsky, V. G. Benediktov and others.
Before publication, Nekrasov brought the manuscript Zhukovsky, he advised not to publish the poems, but it was already too late to cancel the publication of the collection, and the book signed by N.N. still saw the light.
Reaction to the collection was mixed: many critics reacted positively and wrote laudatory reviews, some including V. G. Belinsky, burst out with disparaging reviews, reproaching the young poet for epigonism

In the early 1840s.

In the early 1840s. collaborated with Literaturnaya Gazeta and Otechestvennye Zapiski. His critical articles and reviews were very popular. There he met and became close friends with Belinsky, who had a great influence on Nekrasov

Belinsky's verdict had a much stronger effect on the poet than the praise of his supporters, and for several years Nekrasov wrote only humorous poems and was actively involved in journalism.

Work in "Contemporary"

In the period 1843-1846. Nekrasov published several collections “Articles in verse without pictures”, “Physiology of St. Petersburg”, “April 1”, “Petersburg collection”

In 1847, together with Panaev, he acquired the magazine “Contemporary”, which gathered around the best writers of that time: I. S. Turgenev published “Notes of a Hunter” here, I. A. Goncharov - the novel “An Ordinary History”, V. G. Belinsky - the later critical articles, A.I. Herzen - stories “The Thieving Magpie” and “Doctor Krupov”. Poems by Nekrasov himself began to appear regularly here. The influence of Sovremennik grew every year; the first works of L. N. Tolstoy were published on the pages of Sovremennik: “Childhood”, “Adolescence”, “Youth” and “Sevastopol Stories”.

In 1854, at the invitation of Nekrasov, N. G. Chernyshevsky became a permanent contributor to Sovremennik, and then the literary critic N. A. Dobrolyubov. But in 1862, after another censorship tightening, the publication of Sovremennik was suspended by government order for eight months, and four years later an order was issued to ban it.
In 1862, after the leaders of revolutionary democracy were arrested, Nekrasov visited his native places, Greshnev and Abakumtsevo (“Knight for an Hour”), at the same time he acquired the Karabikha estate, not far from Yaroslavl, where he came every summer, spending time hunting and in communicating with friends from the people.

KARABIKHA, museum-estate of the Russian poet N. A. Nekrasova

in the Yaroslavl region 15 km south of Yaroslavl; is part of the village of Krasnye Tkachi. Until the mid-19th century, the Karabikha estate belonged to the princes Golitsyn. In 1861, Nekrasov bought it and visited here every year until 1875. The museum in Karabikha has been operating since 1947. In 1959 it received the status of a branch of the Yaroslavl Historical and Architectural Museum-Reserve. In Karabikha, buildings from the 18th century and a park have been preserved. The main house houses an exhibition dedicated to the life and work of the poet. Since 1967, annual poetry festivals have been held.

Work in "Domestic Notes"

In 1868 Nekrasov began to rent "Domestic Notes" and until his death he held the position of editor of this magazine together with M.E. Saltykov. Otechestvennye zapiski gained no less popularity than Sovremennik.

The flowering of Nekrasov's creativity

The greatest flowering of Nekrasov’s creativity began in the mid-1850s. In 1855 he completed the poem “Sasha”, wrote the poems “The Forgotten Village”, “Schoolboy”, “The Unfortunate”, “Poet and Citizen”. The collection “Poems” (many of the poems included in the collection were dedicated to A. Ya. Panaeva), which was published in 1856, was greeted with extraordinary delight. Even those who did not fully share the poet’s ideological views responded positively.

Reviews about the poet's work.

Turgenev wrote: “And Nekrasov’s poems, collected into one focus, are burned.”
And here are the words of Dostoevsky:“... I re-read almost two-thirds of everything that Nekrasov wrote, and literally for the first time I realized to myself: how many places Nekrasov, as a poet, occupied in all these thirty years in my life!”

Poems

In the poem “The Poet and the Citizen,” the poet first raised the question of the relationship between pure art and civic poetry.
The folk theme, which has always been at the center of Nekrasov’s work, acquired a special resonance in the poems “On the Road” and “Railroad”, “Uncompressed Strip”, “Peasant Children”, “Orina, the Soldier’s Mother”.

Nevrev "Torg".
Perov "Seeing the Dead Man"
Venetsianov “At the Harvest. Summer".

About poems.

The people, according to Nekrasov, could become the force that was capable of renewing Russian life and large-scale historical actions. In the poems " Peddlers" (1861) and "Red Nose Frost" (1864) Nekrasov sought to most fully reflect all aspects of people’s life, to convey the “polyphony” of the people’s elements. He actively uses folklore and epic forms, introduces a large layer of colloquial and colloquial vocabulary into the poem

Poem by N.A. Nekrasov’s “Frost, Red Nose” is dedicated to the poet’s sister Anna Alekseevna Butkevich

Motives of Nekrasov's poetry.

The central place in Nekrasov’s poetic world belongs to images, experiences, thoughts associated with the poet’s sadness about the people’s fate, with his love for his native land. This feature of Nekrasov’s poetry was determined by the poet’s amazing character trait - his ability to treat human suffering as his own, to root for another person if he is unhappy. The poet's sensitivity to other people's grief was accompanied by a feeling of guilt, responsibility for the troubles to which the people were doomed. The poet was merciless to himself, to his, perhaps, imaginary weaknesses. The fight against evil with the power of the poetic word seemed small to Nekrasov compared to the revolutionary struggle. Therefore, the poet paid the highest tribute to people who dedicated their lives to such a struggle.

Poem "Russian women"

Since the late 1860s. Nekrasov acted primarily as a satirist: a cycle of poems “About the Weather”, “Songs about Free Speech”, poetic satires “Ballet” and “Recent Time”. The beginning of the 1870s of the poet was marked by an increased importance of civil themes (the poem “Russian Women”, dedicated to the fate of the Decembrists and their wives and an appeal to traditional examples of Russian poetry.

M. N. Volkonskaya,
A. G. Muravyova
E. I. Trubetskaya,

Maria Nikolaevna Volkonskaya

One of the first wives of the Decembrists who shared the fate of their husbands - exile to Siberia. A. S. Pushkin, who knew Maria Nikolaevna in her youth, dedicated several lines to her in the first chapter of “Eugene Onegin”: “I remember the sea before the thunderstorm: How I envied the waves, Running in a stormy series With love to lie at her feet! How I wished then with the waves to touch my lovely feet with my lips! No, never has a gust of passion tormented my soul like this!”

« Who can live well in Rus'?

Back in the 1860s. Nekrasov had the idea of creating a “people's book”; in 1866 the poet began work on the epic poem “Who Lives Well in Rus'” (1866-1876).

The poem consists of separate, relatively autonomous parts and chapters, interconnected by a single theme of the road: seven truth-seekers wander around Rus', trying to find the answer to the question, who can live well in Rus'?

The Prologue outlines a clear outline of the journey - meetings with a priest, a landowner, a merchant, a minister and a tsar. However, Nekrasov did not always adhere to this scheme; his main task was the most complete and voluminous reconstruction of the picture of Russian life, identifying the entire diversity of national characters, peculiarities of thinking, and worldview of the Russian people.

Start of work N.A. Nekrasova on the poem “Who can live well in Rus'?” dates back to 1865, and this work continued until 1877. However, there is evidence that Nekrasov began work on it already in 1860. The poem remained unfinished, so the numbering of its parts was adopted as given by the poet himself in the process of working on it: 1. Prologue and first part. 2. Peasant woman. 3. Last. 4. Feast for the whole world.

Last days of life .

At the beginning of 1875, Nekrasov became seriously ill; neither the famous surgeon nor the operation could stop the rapidly developing cancer. At this time, he began work on the cycle “Last Songs” (1877), a kind of poetic testament dedicated to Fekla Anisimovna Viktorova (in Nekrasov’s work Zinaida), the poet’s last love. Nekrasov died at the age of 56.

afterword

Nekrasov took it upon himself to change poetry in order to revive interest in it. Researcher of Nekrasov’s work B. M. Eikhenbaum noted the acute need for a mass listener, who is often much more important than the “selected circle” of professionals and amateurs. It was for such a listener that Nekrasov wrote; he deliberately lowered the poetic language, literaryized folk speech, which made it more vivid and juicy. But at the same time, contrary to popular belief, Nekrasov never broke with the Russian poetic tradition; all of his work is a continuous interaction with the best examples of Russian poetry.

Biography of Nekrasov

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The poet spent his childhood and teenage years on his family estate. Nekrasov's family estate consisted of a large, awkward house. Behind the estate, in the depths of the garden, there was a small two-story outbuilding - a musician's room. Behind the estate there was a kennel. Alexey Sergeevich Nekrasov is the father of the poet. The most remarkable place on the estate was the large garden. The great critic helped N.A. Nekrasov to “find yourself.” The poet dedicated many heartfelt lines to the great Mother Volga. Nekrasov died on December 27, 1877 (January 8, 1878) in St. Petersburg. Despite the severe frost, a crowd of thousands saw off the poet’s body. - Nekrasov.ppt

N.A. Nekrasov

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N.A. Nekrasov. N.A. died Nekrasov December 27, 1877. A spontaneous demonstration broke out at the funeral. Brief biographical information. Nekrasov in music. Nekrasov’s poems are also in tune with the paintings of the Itinerant artists. Nekrasov in art. And when you read the poet’s “Silence,” the work of I.I. Shishkin “Rye” appears before your eyes. Followers of Nekrasov. And many poets of the subsequent generation were continuers of the traditions of N.A. Nekrasov. In “The Landowner” (1847) there are motifs of “Hound Hunt”, in the poem “Grunya” - “Troikas”. L.N. Trefolev turned to the innovative forms of Nekrasov’s poetry and gave his own developments. - N.A.Nekrasov.pptx

Nekrasov N.A.

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The creative path of Nikolai Alekseevich Nekrasov. Oh Volga! My cradle! View on the Volga. Childhood on the Volga. Go out to the Volga: whose groan is heard Above the great Russian river? Barge Haulers on the Volga. From a painting by I. Repin. A.N. Nekrasov, Autobiographical sketches. Arrest for prisoners. From a painting by V. Jacobi. The red nose of a ruthless old woman, who looks at us through her glasses. Flies walking on the walls. Walls, doors, windows, ceilings... N.A. Nekrasov “The Cry of Children.” "Children's Crying" From a drawing by O. Shukhvostov. Late fall. The rooks flew away, the forest was exposed. The fields are empty, Only one strip is not compressed... N.A. Nekrasov "Uncompressed strip". - Nekrasov N.A..ppt

Nekrasov's creativity lesson

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“I dedicated the lyre to my people...” KVN lesson on the works of N. A. Nekrasov. Nikolai Alekseevich Nekrasov (1821 – 1877). Vissarion Grigorievich Belinsky (1811-1848). Before your name, let me humbly kneel... N. Nekrasov. I.E.Repin. Barge Haulers on the Volga. M. Yu. Lermontov. A. S. Pushkin. N. A. Nekrasov “Prophet”, 1874 "Prophet", 1841 "Prophet", 1826 Nikolai Vasilyevich Gogol (1809-1852). Bring it into line. Healthy, vigorous Air invigorates tired forces... “Railroad”. Petersburg. Alexandrinsky Theater. Nekrasov's father, Alexey Sergeevich (1788-1862). A cruel landowner-serf, a passionate hunter and gambler. - Nekrasov lesson.ppt

Nekrasov poet

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(1821-1878). Nikolai Alekseevich Nekrasov. “I dedicated the lyre to my people...” Problematic question: Goals and objectives: Find out what is unique and innovative about Nekrasov’s poetry? Draw final conclusions about the originality of N.A. Nekrasov’s lyrics. an entire poetic state living according to its own laws. But Nekrasov’s poetry has its own beauty, its own song. Progress of the study: N. A. Nekrasov -. Uniqueness and innovation. Always imbued with citizenship. The work of the great Russian poet N.A. Nekrasov was dedicated to the people. The poet is sure: you can only live in service to the people, and not to yourself. The purpose of the poet and poetry. - Nekrasov poet.ppt

Poet Nekrasov

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Nikolai Alekseevich Nekrasov (1821 – 1878). Nekrasov is a complex, not always exemplary, but deeply humane and original personality. Born on December 10, 1821 in Nemirov, Podolsk province. The Nekrasov family was not rich, although the Nekrasovs belonged to the small landed nobility. The poet's mother, Elena Andreevna, was an unusually intelligent and educated woman. An atmosphere of tension reigned in the family due to the tough, domineering character of Nekrasov’s father. It would seem that a boat full of hares means rich prey, hunting success... Images of peasant children in the works of N. A. Nekrasov. In the poem “Peasant Children” one can hear the poet’s genuine feeling for his heroes. - Poet Nekrasov.ppt

Nekrasov as a poet

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“I dedicated the lyre to my people...” The project is dedicated to the 185th anniversary of the birth of Nikolai Alekseevich Nekrasov. November 28 (December 10), 1821 - December 27, 1877 (January 8, 1878). His childhood years left a deep imprint on Nekrasov’s consciousness. For the slightest offense, serfs were punished with rods. The poet’s father did not disdain fist reprisals. Excerpt from the poem "Peasant Children". The Volga flowed not far from Greshnev. Together with his village friends, Nekrasov often visited the Volga bank. And a sad, moan-like song seemed to hang over her. Excerpt from the poem “Reflections at the Front Entrance.” - Nekrasov as a poet.ppt

Nikolay Nekrasov

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The thorny life path of Nikolai Alekseevich Nekrasov (until 1847). Estate in Greshnev. Yaroslavl. General view and the Volga River. Karabikha. From the memoirs of A.S. Suvorin. Childhood. Mother - Elena Andreevna, nee Zakrevskaya, Little Russian noblewoman. Father - Alexey Sergeevich Nekrasov, a poor landowner, an army officer. Greshnevo was located on a plain, among endless meadows and fields. Here, in the village, the poet spent his childhood. Greshnevo. It was from Greshnev that Nekrasov the poet learned exceptional sensitivity to the suffering of others. House-museum in Karabikha. House-estate in Greshnevo. Corner of the old park in Nemirov. - Nikolay Nekrasov.ppt

Nekrasov Nikolay Alekseevich

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Nekrasov Nikolai Alekseevich (1821 – 1877). The childhood and youth of the great Russian poet Nikolai Alekseevich Nekrasov passed on the Volga. At the age of 16, Nekrasov, at the insistence of his father, went to St. Petersburg to enroll in the Noble Regiment (officer school). What Nekrasov had to endure! In 1838 he began publishing his poems. Nekrasov was a deeply national poet. Monuments to N.A. Nekrasov. Books by Nekrasov. - Nikolay Nekrasov.ppt

Lessons on Nekrasov

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1821 - 1878. N.A. Nekrasov. I dedicated the lyre to my people. N. Nekrasov. Lesson topic: Essay on the life and work of N.A. Nekrasova. Lyrics. Lesson plan: I. Childhood and school years II. “Petersburg ordeals” III. N. A. Nekrasov and V. G. Belinsky IV. At the head of "Contemporary" V. Analysis of poems VI. Summary of Lesson VII. Homework. Problematic question of the lesson: Why is Nekrasov considered a poet - a citizen and a people's poet? Just beyond the garden there is a large gray clumsy house.” Museum-estate N.A. Nekrasova. Nekrasov's father, Alexey Sergeevich. A cruel landowner-serf, a passionate hunter and gambler. - Lessons from Nekrasov.ppt

Nekrasov 10th grade

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The theme of love in the lyrics of N.A. Nekrasova. Goal: To reveal the theme of love in the works of N. A. Nekrasov. The theme of love is resolved in Nekrasov’s lyrics in a very unique way. So in the fall the river is more turbulent, But the raging waves are colder... A dead end in which feelings come. Every line of the poem is imbued with melancholy. Nekrasov's works about love are distinguished by their sincerity and inspiration. In conclusion, let us return once again to the question of the innovation of Nekrasov’s love lyrics. And yet why do we like Nekrasov’s love lyrics? And think for yourself: is it possible to explain love?! - Nekrasov 10th grade.ppt

Nekrasov in 10th grade

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The life and work of Nikolai Alekseevich Nekrasov. A. Nekrasov. Early childhood. The gymnasium where Nekrasov studied. In 1832, Nekrasov entered the Yaroslavl gymnasium, where he reached the 5th grade. Education. In 1846, Nikolai Nekrasov with I. In 1862, Nekrasov became editor of the journal Otechestvennye zapiski. Sovremennik magazine. A page from the magazine "Domestic Notes". The beginning of literary activity. Our movements are calculated. Everyone has plenty of fans, they barely show up on stage! Streets were named after Nekrasov: in St. Petersburg in 1918, in Rybatskoye, Pargolovo. - Nekrasov in 10th grade.ppt

Literature Nekrasov

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The formation of the personality of the poet Nikolai Alekseevich Nekrasov. N.G. Chernyshevsky. Brainstorm. Checking homework. Retelling of a famous article according to plan. Presentation of students “The thorny life path of N.A. Nekrasov (before 1848) Work with the table. Work in groups. Conclusion. Mini-essay. 2. Checking homework. Approximate plan: Admission to the Yaroslavl gymnasium. The young man decided to study at the University. A quarrel with his father and, as a result, “dire need.” Attending lectures at the University as a volunteer. Significant meeting with V.G. Belinsky. A feeling of pride for ordinary workers. - Literature Nekrasov.ppt

Poet Nikolai Nekrasov

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Nikolai Alekseevich Nekrasov. Russian writer: poet, prose writer, playwright. Father - Alexey Sergeevich Nekrasov, served as an officer. In 1832-1837 Nekrasov studied at the Yaroslavl gymnasium, finishing his studies up to the 5th grade. In 1838 Nekrasov left for St. Petersburg to join a noble regiment. In 1839 he tried to enter St. Petersburg University, but failed the exam. In 1842-1843 Nekrasov became close to V.G. Belinsky’s circle. In 1845-1846 Nekrasov lived in Povarsky Lane no. 13 and in no. 19 on the embankment of the Fontanka River. In 1847-1864 Nekrasov was in a civil marriage with A.Ya. Panaeva. At the beginning of 1875 Nekrasov became seriously ill. - Poet Nikolai Nekrasov.ppt

Nikolai Alekseevich Nekrasov

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Life and art. Nikolai Alekseevich Nekrasov. (1821 – 1877). N. A. Nekrasov was born in the town of Nemirov, Podolsk province, into the family of a nobleman. Monuments to A.N. Nekrasov. His childhood years left a deep imprint on Nekrasov’s consciousness. Oh, Volga!... my cradle! Did anyone love you, how? Poem "On the Volga". In the works of N.A. Nekrasov’s children are drawn to knowledge and want to learn. Nekrasov has many poems dedicated to the life of village children. Add a word and name the poem. Has anyone ever loved you like I do? Glorious autumn! Healthy, vigorous Air invigorates tired forces; There goes the Green Noise, the Green Noise, the spring noise! - Nikolai Alekseevich Nekrasov.ppt

Poet Nikolai Alekseevich Nekrasov

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Nikolai Alekseevich Nekrasov. (1821 – 1877). Acquaintance with the biography and creative style of the poet. The most brilliant and noblest of all Russian poets. N.G. Chernyshevsky. K.D.Balmont. Alexey Nikolaevich Nekrasov. V.G. Belinsky. Portrait of Belinsky. You taught us to think humanely, You were hardly the first to remember the people, You were almost the first to talk about equality, about brotherhood, about the people. - Poet Nikolai Alekseevich Nekrasov.ppsx

Writer Nikolai Alekseevich Nekrasov

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Nekrasov Nikolai Alekseevich. Nekrasov. Childhood. Nikolai Alekseevich spent his childhood in the Yaroslavl estate. The village of Greshnevo. Mother of Nikolai Alekseevich Nekrasov. Nekrasov was strong and brave. Gymnasium. In 1938 he was already in St. Petersburg. In 1838 Nekrasov left for St. Petersburg to join a noble regiment. Attended lectures at the Faculty of Philology. Belinsky before his death. The writers are employees of the Sovremennik magazine. At the beginning of 1875 Nekrasov became seriously ill. Nikolai Alekseevich Nekrasov died of cancer. Funeral of N.A. Nekrasov. Monument at the grave of N.A. Nekrasov. - Writer Nikolai Alekseevich Nekrasov.ppt

Nekrasov and Volga

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Mini-project: “The Volga in the life and poetry of N.A. Nekrasov.” Find out what place the Volga occupied in the life of N.A. Nekrasov. Find works by N.A. Nekrasov in which the Volga is mentioned. Childhood of N.A. Nekrasov. The Samarka River on the outskirts of Greshnev. Nekrasov about the Volga. “Reflections at the Front Entrance.” Go out to the Volga: whose groan is heard Over the great Russian river? Volga!.. “The grief of old Naum.” Volga true story Of other times, other pictures I foresee the beginning... “On the Volga”. In some pink dreams I lost myself. Sleep and heat already reigned over me. But suddenly I heard groans, and my gaze fell on the shore. The connection between the Volga and the people in the works of Nekrasov. - Nekrasov and Volga.ppt

Pushkin and Nekrasov

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Two geniuses of the same century. Pushkin. Pushkin and Nekrasov. About the life and work of A.S. Pushkin and N.A. Nekrasov. Poems. Journalistic activity. Glorious autumn. Addressees of the lyrics. Uprising on Senate Square. Countless crowds. Give up. Repent, brothers. Decembrists. Pushkin's poems. Muse of poets. The sea before the storm. Russian women. Crossword. Gypsies. Star of captivating happiness. Onegin. Vocabulary work. Phraseologisms. Analysis of the poem. The connection between literature and history. Respect for names. Freedom is a desert sower. Poetic size. - Pushkin and Nekrasov.ppt

Nekrasov's creativity

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N. A. Nekrasov and the Kostroma region. Project goal: To explore the influence of the Kostroma land on the work of the great Russian poet N.A. Nekrasov. Project objectives: Project stages: 1. Study and analysis of literature about the life and work of N.A. Nekrasova. 5. Presentation of the project results in the form of a presentation. N. A. Nekrasov (1821-1878). "I dedicated the lyre to my people." The influence of the Kostroma land on the writer’s work. Nekrasov loved to hunt in the forests and meadows along the banks of the river. Kostroma. "Grandfather Mazai and the hares." The poem “Grandfather Mazai and the Hares” was written on Kostroma material. - Nekrasov’s creativity.ppt

Creativity of N.A. Nekrasov

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Creativity N.A. Nekrasova. Nikolai Alekseevich Nekrasov. Biographical information. Start of publishing activity. First edition of the collection. The chosen one of heaven. Poems by N. Nekrasov. Witnesses are alive. Gloomy barge hauler. Railway. Peasant children. Village Strada. Troika. Red nose. Suffering. Historical reference. Decembrist revolt. Vladimir Fedoseevich Raevsky. Message to Siberia. Text of the poem. Russian women. Maria Nikolaevna Volkonskaya. No, I'm not a pathetic slave. Sow wisely. - Creativity of N.A. Nekrasov.ppt

Life and work of Nekrasov

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Nikolai Alekseevich Nekrasov. Wounded heart. Dreams and sounds. Poet. On the Volga. Writers. Clueless people. We struggled under the heat. Editor's position. The topic is about the purpose of poetry. The theme of the homeland and people. The ideal of a public figure. Love lyrics. Dates of Nekrasov's life. Belinsky. Collection. Lines. Motives of Nekrasov's lyrics. You may not be a poet, but you must be a citizen. Lines. Domestic notes. Conservative. Reflections at the front entrance. Who lives well in Rus'? Russian women. Majestic Slavic woman. - Life and work of Nekrasov.ppt

Life and work of N.A. Nekrasov

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Life and work of N.A. Nekrasov. Wish happiness to your homeland. The dream of a people's revolution. Childhood. Furnishings of a manor's estate. In Petersburg. Image of St. Petersburg. The beginning of a creative journey. In the early 1840s. Belinsky. Work at Sovremennik. Work in Otechestvennye zapiski. Magazine cover. N. G. Chernyshevsky. The flowering of Nekrasov's creativity. Reviews about the poet's work. Poems. About poems. Motives of Nekrasov's poetry. Poem "Russian Women". Maria Nikolaevna Volkonskaya. Who lives well in Rus'? Start of work N.A. Nekrasova. Last days of life. Afterword. Latest songs. - Life and work of N.A. Nekrasov.pptx

Nekrasov song

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Author: Smirnova Marina Andreevna – literature teacher. “I dedicated the lyre to my people...” Motifs of folk songs in the lyrics of N.A. Nekrasova. Fundamental Question: Can we hear music in poetry? Problematic question. Why are songs based on poems by N.A. Nekrasov became popular? About the project. Project typology – information Category of students – 9 “B” grade Subject areas – literature. Annotation. Goals. Developmental: promote the formation of an information culture. Educational: contribute to the formation of a communicative culture and the cultivation of patriotism. Contents of the UMP. - Nekrasov song.ppt

Nekrasov about the people

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The path to the heart of the people. The image of the people in the lyrics of N.A. Nekrasov. Lesson objectives: To update and generalize the knowledge acquired by students while studying the works of N.A. Nekrasov. Characterize the moral issues of Nekrasov’s poems about the people. Find out the author’s position in relation to the Russian people. Continue the analysis of the artistic and poetic world of Nekrasov. Strengthen the ability to interpret a work and the skills of poetic analysis. Integration in the study of folk topics. Will you wake up, Full of strength? N.A. Nekrasov. Chronological table. Poems about the people. 1847 "Troika". - Nekrasov about the people.ppt

Nekrasov lyrics

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Nekrasov's love lyrics

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Nekrasov's love lyrics were somewhat unusual for his contemporaries. Young F.M. was in love with the capital's beauty. Dostoevsky. My soul is sad and weak: Neither pride nor blessed faith. The shameful impotence of a slave! The hero, on the contrary, is a reflective person, prone to suspiciousness, suspicion, despondency, and bitterness (“Shyness”). The heroine was the most reliable stronghold, but still “did not spare.” The poet does not accuse, but justifies his chosen one: Tormented, embittered by the struggle... Sufferer! You are standing in front of me... However, the outcome turned out to be inevitable. Love is gone, and everything around has lost its attractiveness. - Love lyrics by Nekrasov.ppt

Muses of Nekrasov

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Muses. The birth of a poet. Nekrasov's childhood. First poems. The poet's mother. Poems about mother. Avdotya Yakovlevna Panaeva. Nekrasov's common-law wife. Gap. Panaevsky cycle. Zinaida Nikolaevna Nekrasova. Zina's selfless love. For almost two years, Zinaida Nikolaevna selflessly looked after Nekrasov. - Muses of Nekrasov.ppt

Nekrasov test

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Test for the literary game “I dedicated the lyre to my people...” based on the works of N.A. Nekrasov for 10th grade students. Round 7 (choose the correct answer from four options). Stop sleeping! Wake up and think carefully! 2. Which of the characters in the poem “Who Lives Well in Rus'” does the author consider happy? The king of men is a drunk priest. 3. N.A. Nekrasov in his poem “Who Lives Well in Rus'” presented the type of a kind of people’s lover of truth, a peasant righteous man. Grisha Dobrosklonov Yakim Nagoy Ermil Girin Matryona Timofeevna. 4. Which Russian poet owns the words “You may not be a poet, but you must be a citizen”? - Nekrasov test.ppt

Quiz on Nekrasov

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Quiz “Biography of N. A. Nekrasov.” 1. On which river did N.A. spend his childhood? Nekrasova? 2. The poet’s father was.. 3. Which gymnasium did Nekrasov study at? 5. Which faculty does Nekrasov enter as a volunteer student? 6. Nekrasov’s fate changed after meeting with... 8. The magazine in which Nekrasov works was founded... Nekrasov died in 1878... -

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Nikolai Alekseevich Nekrasov

Biography

Completed by: Gessel T.I.

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The thorny life path of Nikolai Alekseevich Nekrasov (until 1847)

Estate in Greshnev

Yaroslavl. General view and the Volga River.

Karabikha

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Childhood. Nikolai Alekseevich Nekrasov was born on November 28, 1821 in the town of Nemirov, Podolsk province. He was the third child in the family. Mother - Elena Andreevna, Little Russian noblewoman. Father - Alexey Sergeevich Nekrasov, a poor landowner, an army officer. Three years after the birth of his son, he, having retired as a major, permanently moved to his family estate in the Yaroslavl estate of Greshnev, which was located not far from the Volga. Greshnevo was located on a plain, among endless meadows and fields. Here, in the village, the poet spent his childhood.

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Greshnevo.

It was from Greshnev that Nekrasov the poet learned exceptional sensitivity to the suffering of others. In Greshnev, Nekrasov’s heartfelt affection for the Russian peasant began, which subsequently determined the exceptional nationality of his work.

House-museum in Karabikha

Estate house in Greshnevo

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Friendship with peasant children. At the estate there was an old, neglected garden, surrounded by a solid fence. The boy made a loophole in the fence and during those hours when his father was not at home, he invited peasant children to come to him. Children burst into the garden and pounced on apples, pears, currants, and cherries. But as soon as the nanny shouted: “Master, master is coming!” - how they instantly disappeared. Of course, the master's son was not allowed to be friends with the children of serfs. But, having found a convenient moment, the boy ran away through the same loophole to his village friends, went with them into the forest, and swam in the Samarka River. This moment in his life - direct communication with peasant children - influenced his work.

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Yaroslavl-Kostroma road... The manor's house stood right next to the road, and the road was crowded at that time. Nekrasov met all kinds of working people who went to the village in search of work. Later, the poet recalled these meetings: Under our thick, ancient elms, tired people were drawn to rest. The guys will surround you: stories will begin About Kiev, about the Turks, about wonderful animals... The worker will arrange, lay out the shells - Planes, files, chisels, knives: “Look, little devils?” - and the children are happy, How you saw, how you tinker - that’s all for them show me. So folk life and folk speech became close to Nekrasov from childhood.

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I visited Paris, Naples, Nice, But nowhere did I breathe so sweetly, As in Greshnev...

Since childhood, his native fields and meadows have also become close to him. After a trip abroad, he wrote in a draft manuscript:

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The Volga River in the life of the poet. The poet's childhood memories are connected with the Volga, to which he dedicated many poems. Here he saw deep human suffering for the first time. He wandered along the bank in the hot season and suddenly heard groans and saw barge haulers wandering along the river, “almost bending their heads / To their feet entwined with twine.” They groaned from backbreaking work. The child began to think about the cruelty of life. Early on, a picture of the national disaster was revealed to him.

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Family relationships. Another grief was constantly near Nikolai Alekseevich. This grief was in his own family. His mother, Elena Andreevna, a meek woman, suffered greatly in her marriage. She was a man of high culture, and her husband, Nikolai’s father, was a rude, cruel, ignorant man. She sat at home alone all day, and her husband constantly traveled to neighboring landowners: his favorite pastimes were cards, drinking, and hunting hares with dogs. There were days when she sat at the piano all day long, singing and crying about her bitter fate. Nekrasov wrote: “She was a singer with an amazing voice.” In some of his poems, he reproduced that sad motif, inspired to him by his mother’s songs: You played and sang a sad hymn, That song, the cry of a long-suffering soul, Your firstborn later inherited.

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She often took part in issues related to peasants and stood up for them before her husband. But he often attacked her with his fists and beat her. How Nekrasov hated him at such moments! Elena Andreevna was an expert in world poetry and often told her son excerpts from the works of great writers that he could understand. Already an elderly man, Nekrasov recalled in the poem “Mother”: And I hear your voice in the darkness, Filled with melody and affection, With which you told me tales About knights, monks, kings. Then, when I read Dante and Shakespeare, I seemed to encounter familiar features: You captured images from their living world in my mind.

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Love for his mother is described in many of the poet’s poems: “Motherland”, “Mother”, “Bayushki-Bayu”, “Knight for an Hour”, etc. These are poems of an autobiographical nature; they describe the people of that era, their relationships, their morals and customs. Nekrasov said that it was his mother’s suffering that awakened in him a protest against the oppression of women. In his poems one can see not only pity for the woman, but also hatred for her oppressors.

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Yaroslavl gymnasium. Despite the absence of home teachers, by the age of 10 Nekrasov had mastered reading and writing and in 1832 he entered the Yaroslavl gymnasium together with his older brother Andrei. His stay at the gymnasium did not become a significant stage in Nekrasov’s life; He never once remembered either his teachers or his comrades. Four years of study yielded little, and in the last year, 1837, Nikolai Nekrasov was not even certified in many subjects. Under the pretext of “distressed health,” Nekrasov the father took his son from the gymnasium.” At this time, Alexey Sergeevich served as a police officer, and Nikolai helped him as a clerk. The young man, almost a boy, was present “at various scenes of people’s life, at investigations, at autopsies of corpses, and sometimes at reprisals in the style of the old time.” All this made a deep impression on the child and early in the living pictures introduced him to the then, often too difficult, conditions of people's life.

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"Petersburg ordeals." In 1838, Nekrasov decided to enter St. Petersburg University. His mother supported this dream, but his father insisted on entering the cadet corps. But the young man Nekrasov did not listen to his father; he firmly decided not to go into military service and become a “humanitarian.” Young Nekrasov came to St. Petersburg with a letter of recommendation to the gendarmerie general D.P. Polozov. The general approved the young man’s humanitarian plans and wrote about them to his father. The answer was a rude letter threatening to leave me without material support, which was carried out. It is safe to say that not a single great Russian writer had such a difficult everyday and life experience that young Nekrasov went through in his first St. Petersburg years... He found himself without a single point of support: without a place, sometimes simply without shelter and, of course, without money.

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Meeting with V.G. Belinsky.

V.G.Belinsky I.I.Panaev

Editorial staff of the magazine "Sovremennik"

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Literary scholars gave N.A. Nekrasov has received various assessments: a bright representative of revolutionary-democratic poetry; innovator in the field of language (Yu.N. Tynyanov); both (K.I. Chukovsky)

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Nikolai Alekseevich Nekrasov was born on December 10, 1821 (new style) in the town of Nemirov, Kamenets - Podolsk province, now Vinnitsa province. His father, Alexey Sergeevich, a poor landowner, served here in the 36th Jaeger Regiment with the rank of captain. Three years after the birth of his son, he, having retired as a major, permanently moved to his family estate in the Yaroslavl village of Greshnev, which was located not far from the Volga.

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Greshnevo was located on a plain, among endless meadows and fields. Here, in the village, the poet spent his childhood. At the estate there was an old, neglected garden, surrounded by a solid fence. The boy made a loophole in the fence and during those hours when his father was not at home, he invited peasant children to come to him. Children burst into the garden and pounced on apples, pears, currants, and cherries. Of course, the master's son was not allowed to be friends with the children of serfs. But, having found a convenient moment, the boy ran away through the same loophole to his village friends, went with them into the forest, and swam in the Samarka River. This moment in his life - direct communication with peasant children - influenced his work. Music room in Greshnevo

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The boy early began to develop will, perseverance, perseverance - qualities that he constantly developed and retained until the end of his life. The poet’s sister Anna Alekseevna recalled how her brother learned to ride a horse: “They taught him to ride in a very original and not particularly gentle way. He himself said that he once fell from his horse eighteen times. It was winter - mild. But after all his life he was not afraid of any horse, he boldly mounted a nag and a mad stallion.” Another incident occurred while hunting. He happened to shoot a duck. It was winter, the dog did not want to get into cold water. But the young hunter himself swam and got the duck. “It cost him a fever, but it didn’t stop him from hunting,” his sister wrote. Poet's sister

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The manor's house stood right next to the road, and the road at that time was crowded and busy - the Yaroslavl-Kostroma highway. The boy, secretly sneaking out beyond the fence of the estate, met all sorts of working people on the road: stove makers, painters, blacksmiths, diggers, carpenters, who moved from village to village, from city to city in search of work. I. Levitan “Vladimirka”

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The poet's childhood memories are connected with the Volga, to which he dedicated many poems. Here he saw deep human suffering for the first time. He wandered along the bank in the hot season and suddenly heard groans and then saw barge haulers wandering along the river... The child began to think about the cruelty of life. Early on, a picture of the national disaster was revealed to him.

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Another grief was constantly near him. This is grief in the family. His mother, Elena Andreevna, who belonged to the Zakrevsky family of Polish nobles, was a meek woman who suffered greatly in her marriage. She was a man of high culture, and her husband was a rude, cruel, ignorant man. She sat at home alone all day, and her husband constantly traveled to neighboring landowners: his favorite pastimes were cards, drinking, and hunting hares with dogs. There were days when she sat at the piano all day long, singing and crying about her bitter fate. She often took part in issues related to peasants and stood up for them before her husband. But he often attacked her with his fists and beat her. How Nekrasov hated him at such moments! Elena Andreevna was an expert in world poetry and often told her son excerpts from the works of great writers that he could understand. Nekrasov said that it was his mother’s suffering that awakened in him a protest against the oppression of women. In his poems one can see not only pity for the woman, but also hatred for her oppressors.

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Study In 1832, Nikolai and his brother Andrei entered the first grade of the Yaroslavl gymnasium. Nekrasov did not like studying; he attended the gymnasium with great reluctance. All he liked was reading, and he became addicted to it. I read whatever I could, mostly magazines, but I also came across serious books. He was greatly impressed by Pushkin’s revolutionary ode “Liberty.” The father did not want to pay for tuition, quarreled with the teachers, and after the 5th grade Nekrasov left the gymnasium.

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In June 1837, Nekrasov left the gymnasium. His father decided to send him to St. Petersburg, to the Noble Regiment - that was the name of the military school, famous for its senseless and cruel drill. But Nekrasov was attracted by a different fate. He wanted to go to St. Petersburg to study. He secretly wrote poetry for several years and wanted to be published in metropolitan magazines. At the end of 1838, as a sixteen-year-old teenager, after a multi-day journey in a coachman's cart, he arrived in St. Petersburg. “I was in a hurry to the capital for fame,” he jokingly recalled in his later poems, since since childhood he wanted to become a poet.

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In St. Petersburg, Nekrasov began to prepare for the entrance exams. The father found out that his son did not enter the School and sent him a rude letter in which he wrote that he would not give his son money. In October 1837, he published his first poems in the capital’s magazine “Son of the Fatherland” with the note “The first experience of a 16-year-old young poet.” The father carried out his threat, and Nekrasov was left without money. This was the most difficult period of Nekrasov's life. He lived in a wretched room in the basement, ate black bread, and when his landlady threatened to kick him out, he moved in with the artist Dananberg, a poor man like himself. In July 1839 he tried to pass the entrance exams to the Faculty of Oriental Languages at St. Petersburg University, but failed. However, in September of the same year, he entered the first department of the Faculty of Philosophy as a “free student.”

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In 1840, Nekrasov published his first collection of youthful poems, “Dreams and Sounds,” under the pseudonym “N.N.” But soon negative reviews of the first collection began to appear. The poet bought almost the entire circulation of his book and destroyed it. The failure of the book did not stop the poet. In the 40s, a huge number of poems, plays, feuilletons, vaudevilles, fairy tales, critical articles, reviews, comedies were written, all under pseudonyms. But the poet was paid so little for his titanic work. He continued to be in need for another five years. It was at this point in his life that he learned to look at life differently, to find his purpose in literature. He saw what it was like for the poor to live under conditions of slavery, and he forever hated the oppressors of the working people.

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Meeting Belinsky In 1943, he met the great Russian critic, revolutionary democrat Belinsky. At the beginning of 1845, Nekrasov came to Belinsky and began to read him his poem “On the Road.” When the last lines were read, “Belinsky’s eyes sparkled,” recalls writer I.I., who was present at this scene. Panaev,” he rushed to Nekrasov, hugged him and said almost in tears: “Do you know that you are a poet - and a true poet?” This day, apparently, should be considered Nekrasov’s birthday as a poet. Belinsky talked with him for a long time and opened his eyes to all the evil that was happening around him.

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Living permanently in St. Petersburg, Nekrasov often visited Greshnev. He loved to wander through the meadows and forests alone or with one of his village friends. The poet asked them about joy and sorrow, troubles and adversity. In communication with the people, away from the city and city noise, Nekrasov rested and shook off his worries. I.I. Shishkin "Before the Storm"

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Not far from Greshnev, on a hill, was the village of Abakumtsevo. On the edge of the village, Nekrasov’s untimely deceased mother was buried. She had a beneficial influence on the formation of the poet’s views and on his spiritual development. The poet came to his mother’s grave more than once, and constantly suffered that he could not see his mother before her death. It so happened that the poet was going to his sister’s wedding, but ended up at his mother’s funeral. Mother's grave in Abakumtsevo

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Nekrasov's poetry, starting in 1845, became poetry of denunciation. In his poems he denounced landowners (“On the Road”, “Motherland”, “Hound Hunt”), officials (“Official”, “Lullaby”, “Modern Ode”), rich merchants (“The Secret”). Also at this moment he wrote a lot about simple dependent peasants. In addition to poetry, Nekrasov also wrote prose. In the 40s, the essay “Petersburg Corners” appeared, which, however, was severely cut up by censorship.

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At the end of 1846, he borrowed money and, together with the writer Ivan Panaev, rented the Sovremennik magazine, founded by Pushkin. He moved to Sovremennik with his followers - young progressive writers. Thus, Nekrasov’s journal brought together the best literary forces, united by hatred of serfdom. The first book of Sovremennik was published on January 1, 1847. For the first time in Russia, a magazine appeared with a clearly expressed revolutionary-democratic program. In the very first books of Sovremennik, “Who is to Blame?”, “The Magpie the Thief,” by Herzen, many of Turgenev’s “Notes of a Hunter,” Nekrasov’s “Hound Hunt,” articles by Belinsky and other works containing a protest against the system were published. I.S. Turgenev, V.A. Sollogub, L.N. Tolstoy, N.A. Nekrasov, D. Grigorovich, I.I. Panaev

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The work was titanic. To publish one Sovremennik book, Nekrasov read about twelve thousand pages of various manuscripts, corrected up to sixty printed sheets of proof (that is, nine hundred and sixty pages), half of which were destroyed by censorship, wrote many letters to censors and employees - and sometimes he himself was surprised, “ how paralysis took hold of his right arm.” When starting to publish Sovremennik, Nekrasov hoped that Belinsky would play a leading role in the publishing house. But in 1847 Belinsky died. There was no other writer in Russia at that time who could become the same “ruler of thoughts” of an entire generation as Belinsky was. But a few years after Belinsky’s death, Nekrasov called on his students, the continuers of the cause of Russian revolutionary democracy - Dobrolyubov and Chernyshevsky.

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In 1848, the government was frightened by the uprisings and revolution in France and tightened police measures against the spread of all kinds of progressive ideas, making the publication of an advanced magazine almost impossible. Censorship terror has arrived. Almost nothing was allowed to appear in print; everything was seen as a manifestation of progressive ideas. More than half of the works intended for publication in Sovremennik perished under the red ink of the censor. It was urgent to obtain articles and stories that were in danger of the same fate. Nekrasov urgently moved in with A.Ya. Panaeva for the new novel “Three Sides of the World”, which he wrote at night, as during the day he was busy with his magazine. The novel was written solely to fill the pages of the novel, but even here they managed to express a protest against the hated system.

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Beginning in 1855, Nekrasov’s creativity flourished. The poem "Sasha" appears. In 1856, Nekrasov published his collection “Poems of N. Nekrasov” - the poet’s first collection of poetry, for which he selected his best poems written by him in the period from 1845 to 1856. (“Poet and Citizen”, “On the Road”, “Hound Hunt”, “Sasha”, “Modern Ode”, “Motherland”, “Gardener”, “Forgotten Village” and other poems by the poet denouncing the hated political regime, landowners, serfdom)

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The poem “Peddlers” was associated with real facts and the real person G. Ya. Zakharov, to whom Nekrasov dedicated his poem. One day Gavrila Yakovlevich told him a story about the murder of two peddlers, which happened in the forest. This story, with minor changes, formed the basis of the poem. This was the first poem written not only about the people, but also for the people. In the early 60s, Nekrasov was working on the poem “Frost, Red Nose.” In it, the poet tells the post-reform life of a peasant, the nature of his work, folk customs and morals. In August 1863, Nikolai Alekseevich from Yaroslavl traveled to Nizhny Novgorod for the fair by boat. During the trip, Nekrasov finished the poem, which he soon dedicated to his sister Anna Alekseevna.

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In 1865, Nekrasov published a series of poems “On the Weather” in Sovremennik, which are a satirical depiction of post-reform Russian reality. In it, the poet gives a historically complete description of St. Petersburg in the 60s from the point of view of a revolutionary democrat. At the end of the 60s, Nekrasov created a cycle of poems dedicated to Russian children: “Uncle Yakov”, “Bees”, “General Toptygin”, “Grandfather Mazai and the Hares”. “Grandfather Mazai and the Hares” has a real basis. But in 1861 Dobrolyubov died. A year later, Chernyshevsky was arrested and exiled to Siberia. The government decides to deal with the hated magazine once and for all. In 1865, Sovremennik was banned. But Nekrasov could not live without the magazine for long. Two years later, he founded the journal Otechestvennye zapiski, Saltykov-Shchedrin became its co-author.

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"Domestic Notes" Censorship brutally persecuted the magazine, and Nekrasov had to wage the same stubborn struggle as in the days of Sovremennik. In the early 70s, the author was overwhelmed by an important topic - the Decembrists. Until then, censorship had not allowed a single work dedicated to the Decembrists to pass through. But in 1870, the censorship oppression was slightly weakened, and Nekrasov took the first opportunity to remind the younger generation about the great pioneers of the revolutionary struggle. Interest in this topic was embodied in two poems, united under the general title “Russian Women”. These works tell about the wives of the Decembrists who went after their husbands who were exiled from Siberia for revolutionary activities. Nekrasov first called the poems “Princess Trubetskaya” and “Princess Volkonskaya” “Decembrists”, but soon replaced it with a more general one - “Russian Women”.

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The poem “Princess Trubetskaya” was written in Karabikha in the summer of 1871 and published in the 4th issue of “Notes of the Fatherland” for 1872. Despite the fact that the poem was distorted by censorship, the public received it very well. Soon Nekrasov decided to write another poem about the Decembrists. He came to Mikhail Sergeevich Volkonsky and asked him to show him his mother’s notes. But the son refused, citing that the notes were too personal. But Nekrasov said that the image of Princess Volkonskaya in his new poem would be greatly distorted. Mikhail agreed. Volkonsky wrote how Nekrasov, while reading, jumped up from his seat and shouted: “Enough, I can’t,” sat down by the fireplace and cried bitterly. The poem “Princess Volkonskaya” was completed in the summer of 1872. It underwent censorship changes to a somewhat lesser extent than “Princess Trubetskoy,” but still quite significant. The poem appeared in the January book of “Notes of the Fatherland” for 1873 and was highly appreciated by the public. “My poem “Book. Volkonskaya,” which I wrote in the summer in Karabikha, was such a success that none of my previous writings had ever had. Nekrasov reported to his brother, “literary mongrels are pinching me, and the public is reading and buying it up.”

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Nikolai Alekseevich Nekrasov (1821-1877) Nikolai Alekseevich Nekrasov was born on December 10, 1821 (new style) in the town of Nemirov, Kamenets - Podolsk province, now Vinnitsa province.

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His father, Alexey Sergeevich, a poor landowner, served here in the 36th Jaeger Regiment with the rank of captain. Three years after the birth of his son, he, having retired as a major, permanently moved to his family estate in the Yaroslavl village of Greshnev, which was located not far from the Volga.

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Nekrasov's last work. The poet’s greatest work, “Who Lives Well in Rus',” was created in the 60s and 70s of the last century during the era of social conflicts. Nekrasov began writing it in the forty-eighth year of his life, that is, at the dawn of his strength. “I decided,” says Nekrasov, “to present in a related story everything that I know about the people, everything that I had to hear from their lips, and I started “Who Lives Well in Rus'.” This will be an epic of modern peasant life.” The hero of the poem is not just one person, the heroes of the poem are the entire Russian people.

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The poet began to receive farewell greetings from friends, students, and colleagues. The poet was especially touched by the greeting sent from distant Siberia by Chernyshevsky in August 1877. “Tell him,” Chernyshevsky wrote to one writer, “that I dearly loved him as a person, that I thank him for his good disposition towards me, that I kiss him, that I am convinced: his glory is immortal, that Russia’s love for him, the most brilliant, is eternal.” and the noblest of all Russian poets. I cry for him. He truly was a man of very high nobility of soul and a man of great intelligence.” The dying man listened to this greeting and said, barely audible: “Tell Nikolai Gavrilovich that I thank him very much.” I am now consoled. His words are more precious to me than anyone else's words. Nekrasov died on December 27, 1877. His coffin, despite the severe frost, was accompanied by many people.

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