Robert Burns short biography. Biography of Robert Burns What year was Robert Burns born?

There is perhaps no poet in the world who has been so well known and sung for two centuries in his native country. The lines of his best poems became slogans. His words became sayings and proverbs. His songs returned to the people. This is what critics wrote about the Scottish poet Robert Burns.

The life and work of Robert Burns

He was born on January 25, 1759 in West Scotland. His father was a gardener. After many years of service on noble estates, he rented a plot of land, built a house, and by the age of 40 he married a 25-year-old orphan, the modest and hard-working Agness Broun. Having regretted his lack of education all his life, William, along with other farmers, hired a teacher, Murdoch, in a neighboring village, who taught his children to read and write for two and a half years. Thoughtful beyond his years, six-year-old Robert Burns was first in spelling and amazed everyone with his exceptional memory.

A year later, the family changed their place of residence, moving to another farm. The Burnses lived a secluded life, devoting almost all their time to work, and in the evenings the father taught the children grammar and arithmetic. These lessons were not enough for the capable Robert, and William again sent his son to study with Murdoch. In a few weeks, Robert mastered grammar and began to study French. However, after a couple of months the young man had to return to the farm - they couldn’t cope there without him.

While harvesting grain, 14-year-old Burns fell in love with a girl who worked with him, Nellie Kilpatrick, and composed his first song for her. “This is how love and poetry began for me,” he later wrote. At the age of 15, Robert’s father sent him to a surveying school located in one of the fishing villages. There the young man saw another very pretty girl. New passionate poems were written for her. After a year I had to leave my studies. The family moved to a new farm, which had to be raised again.

Robert plowed the land for a whole week, and on Sundays he escaped from boredom at home, went to dance lessons and to a tavern, whose visitors loved Burns for his poems about the life of farmers. At the age of 22, he entered the Masonic lodge, in the charter of which he was attracted by clauses on equality and mutual assistance to all brothers, regardless of origin. That same year, Burns read Fergusson's Scottish poetry and realized that his native language, which the English considered a vernacular dialect, was no worse than any literary language.

In 1784, after the death of the head of the family, the Burns moved again. Here, 25-year-old Robert fell in love with the maid Betty, who bore him a daughter. Burns did not intend to get married, but said that he would raise the girl himself. He later met the daughter of a wealthy contractor, Jean Arvar. The young people secretly, according to ancient custom, signed a contract in which they recognized themselves as husband and wife. When her parents found out that Jean was pregnant, they forced her to leave town.

Proud Robert considered this a betrayal on the part of the girl, and for a long time refused to see her. When she gave birth to twins, he took his son to live with him. The weak Armora girl was left in her family. She later died. At this time, Robert's songs became interested in one landowner. With his assistance, Burns's first collection with the poems “Two Dogs” and “A Countryman's Saturday Evening” was published in July 1786. Within a week, the 27-year-old poet-farmer became famous.

He visited Edinburgh, where he impressed secular society with his good manners and education. The capital's publisher Critch invited him to publish a second collection, promised a decent reward, but paid only a portion. At the age of 39, after much torment, Robert married his beloved Jean and settled with her on the Aliceland farm. He decided to take the path of virtue, but one day he fell in love with the innkeeper’s niece Anna. Later he admitted to his wife that Anna gave birth to a girl from him and died during childbirth. Jean took the baby and raised her as her own.

The land did not bring Burns any income, and he secured a position as an excise official. He combined his official duties with poetry. For many years Burns collected old Scottish songs. On July 21, 1796, Burns died. After the funeral, Jean gave birth to her fifth son. Thanks to the poet's influential fans, his wife and children subsequently needed nothing.

• A certain Dr. Kerry, a man of strict rules, created a biography of Burns, interpreting many facts in his own way, portraying the poet as a rake and a drunkard. Only later researchers brought clarity to the biography of the Scottish bard.

A bright, memorable personality and the national poet of Scotland was the famous folklorist Robert Burns. The biography of this eminent cultural figure is quite complicated. But this circumstance did not in any way affect his work. Burns wrote his works in English and Scottish. He is the author of numerous poems and poems.

I would like to note that during his lifetime it was Robert Burns who received the title of national poet of Scotland.

Biography. Childhood

The future famous writer was born in 1957. Robert had six brothers and sisters. The future poet learned to read and write by studying with teacher John Murdoch. He was hired by local farmers to teach their children lessons. It was Murdoch who noticed the boy’s special abilities and advised him to pay more attention to literature. Already in 1783, Burns's first works appeared, written in the Ayshire dialect.

Youth

When the young poet was twenty-two years old, he left his father’s house and went to the city of Irvine to learn the profession of a flax processor. However, after the workshop in which Robert was supposed to practice his craft burned down in a fire, he returns to his homeland. In 1784, the father dies. The eldest sons take on all the hassles associated with farming on the farm. However, things are going extremely poorly.

Soon the family decides to leave the farm and move to Mossgiel. The initiators of such a serious and responsible act were the older brothers - Gilbert and Robert Burns. The poet's biography is full of unexpected turns and contradictory situations. Having moved to a new city, the young man meets his future wife, Jane Arthur. However, her father, not approving of his daughter’s choice, does not consent to the marriage. Desperate, Robert decides to leave for another country. It was at this time that he received an offer to work as an accountant in Jamaica. However, the plans were not destined to come true.

First success

At the same time, the first volume of his works was published, published in June 1786 in Kilmarnock. The book was a huge success. 20 pounds - this is the reward that Robert Burns received for his work. The biography of this poet is truly extremely unpredictable. In the same year, the young folklorist goes to Edinburgh. It was there that he received his first, quite impressive sum for the copyrights to his debut poetry collection. The poems of Robert Burns were praised by writers, and the writer himself was called the poetic hope of Scotland.

Creative life

After this unexpected and stunning success, the famous folklorist makes several rather long trips around his native country. He collects folk songs, composes poems and poems. Receiving absolutely no payment for his work, Burns simply considers his happiness to be able to record and preserve ancient folklore. Over the years of wandering it fell into disrepair.

After the publication of the third volume of poems, Burns goes to Ellizhevd. There he rents a new farm. By this time, he finally married his beloved Jane, and they had several children. From now on, the writer works as a tax collector and receives a small salary, about 50 pounds a year. In 1791, he was offered to publish another collection, which included about a hundred essays.

Last years

Robert Burns, whose photo is presented on this page, coped with his official duties quite well. However, more and more often he is seen drunk. He was subsequently expelled from the literary society for supporting revolutionary ideas. From that time on, Burns increasingly spent time in the company of revelers. The poet died in 1796 from a rheumatic attack. Burns's best poem, according to literary critics, is "The Merry Beggars." It depicts the life of revelers rejected by society.

Burns's poems in Russia

The first prose translation of the works of this famous Scottish poet appeared four years after his death, in 1800. Robert Burns became popular in the USSR thanks to the highly artistic translations of S.

Marshak. Samuil Yakovlevich first turned to the work of the Scottish folklorist in 1924. From the mid-thirties, he began to engage in systematic translations of Burns' works. The first collection of Russian-language poems and poems was published in 1947. In total, Samuil Yakovlevich translated about 215 works, which is ¼ of the poet’s entire legacy. Marshak's interpretations are far from the literal text, but they are distinguished by the simplicity and ease of language, as well as a special emotional mood, close to Burns's works. Articles devoted to the work of this talented folklorist appear in periodicals every now and then. The eminent Russian cultural figure V. Belinsky carried out an in-depth study of Burns’s works. It should be noted that in his youth, Mikhail Lermontov translated the quatrains of the Scottish poet. To mark the centenary of the poet’s death in Russia, the publishing house of A. Suvorin published collections of poems and poems by Robert Burns.

Songs

It should be noted that many of the works of this popular poet were reworkings of the melodies of folk songs.

His poems are characterized by melody and rhythm. It is not surprising that the author of the lyrics for many famous musical compositions in Russia is Robert Burns. Songs based on his poems were once written by such famous Soviet composers as G. Sviridov and D. Shostakovich. The repertoire includes a cycle of vocal works based on poems by Burns. His texts formed the basis of many compositions created by Mulyavin for VIA Pesnyary. The Moldovan group “Zdob Si Zdub” also performed a song based on Burns’ text “You left me.” The folk group "Mill" wrote music for his ballad "Lord Gregory" and the poem "Highlander". Very often, songs based on the poems of this famous foreign poet were used in television films. I would especially like to highlight the romance from the film “Hello, I am your aunt,” called “Love and Poverty.” This composition was performed by a talented actor. In the film “Office Romance,” another song was performed, the author of the text is R. Burns - “There is no peace in my soul.”

Burns Robert (1759-1796)

Scottish poet. Born in the village of Alloway, near the city of Ayr in Scotland, into a poor peasant family. All my life I struggled with extreme poverty. He started writing poetry at the age of 15.

He combined poetic creativity with work on a farm, then with the position of an excise official (from 1789). Satirical poems. "The Two Shepherds" and "The Prayer of Holy Willie" circulated in manuscript and cemented Burns' reputation as a freethinker. The first book, “Poems Written Primarily in the Scottish Dialect,” immediately brought the poet wide fame.

Burns prepared Scottish songs for publication for the Edinburgh edition of The Scottish Musical Museum and A Select Collection of Original Scottish Tunes.
Burns welcomed the Great French Revolution (the poem “The Tree of Liberty”, etc.) and the rise of the revolutionary democratic movement in Scotland and England.

Based on folklore and old Scottish literature, having assimilated the advanced ideas of the Enlightenment, he created poetry that was original and modern in spirit and content.

Burns’s work (“Honest Poverty” and others) affirms the personal dignity of a person, which the poet places above titles and wealth. Poems in praise of work, creativity, fun, freedom, selfless and selfless love and friendship coexist in his poetry with satire, humor, tenderness and sincerity with irony and sarcasm.

Burns's poems are characterized by simplicity of expression, emotionality, and internal drama, which often manifests itself in the composition (“Jolly Beggars”, etc.). Numerous of his songs are set to music and live in oral performance. Burns's poems have been translated into many languages ​​of the world.

Burns died on 21 July 1796 in Dumfries. He was only 37 years old. According to contemporaries, the cause of Burns's early death was excessive alcohol consumption. Historians and biographers of the 20th century are inclined to believe that Burns died from the consequences of hard physical labor in his youth with congenital rheumatic carditis, which in 1796 was aggravated by diphtheria he suffered.

BURNS, ROBERT (Burns, Robert) (1759–1796), Scottish poet. He created original poetry in which he glorified work, people and freedom, selfless and selfless love and friendship. The satirical anti-church poems “The Two Shepherds” (1784), “The Prayer of Saint Willie” (1785), the collection “Poems Written Primarily in the Scottish Dialect” (1786), the patriotic anthem “Bruce to the Scots,” the cantata “The Merry Beggars,” civil and love lyrics (poems “Tree of Liberty”, “John Barleycorn”, etc.), drinking songs. He collected and prepared for publication works of Scottish poetic and musical folklore, with which his poetry is closely connected.

Born on January 25, 1759 in Alloway (County Ayr) in the family of gardener and tenant farmer William Burns and his wife Agnes. The first of seven children. He received an excellent education thanks to his father. I've been reading since childhood
the Bible, English Augustian poets (Pope, Edison, Swift and Steele) and
Shakespeare. He started writing poetry while he was in school and working on a farm.
Robert and his brother Gilbert attended school for two years. In 1765, his father leased the Mount Oliphant farm, and Robert worked as an adult laborer from the age of 12, was malnourished and had a strained heart. He read everything he could get his hands on, from penny pamphlets to Shakespeare and Milton. At school he heard only English, but from his mother and old servants and from the same brochures he became familiar with the language of Scottish ballads, songs and fairy tales.

In 1777, his father moved to Lochley Farm near Tarbolton, and a new life began for Robert. In Tarbolton he found a company he liked and soon became its leader. In 1780, Burns and his friends organized a cheerful "Bachelors' Club", and in 1781 he joined the Masonic lodge. On February 13, 1784, his father died, and with the money left behind, Robert and Gilbert moved the family to the Mossgiel farm near Mauchlin. Even earlier, in 1783, Robert began to write down his youthful poems and rather stilted prose in a notebook. A relationship with the maid Betty Peyton led to the birth of his daughter on May 22, 1785.
Local clergy took advantage of the opportunity and imposed penance on Burns for fornication, but this did not stop the laity from laughing, reading the Holy Fair and the Prayer of the saintly Willie, who were in the lists.

At the beginning of 1784, Burns discovered the poetry of R. Fergusson and realized that the Scottish language was by no means a barbaric and dying dialect and was capable of conveying any poetic shade - from salty satire to lyrical delight. He developed the traditions of Fergusson, especially in the genre of the aphoristic epigram. By 1785 Burns had already gained some fame as the author of colorful friendly messages, dramatic monologues and satires.

In 1785, Burns fell in love with Jean Armor (1765–1854), the daughter of the Mauchlin contractor J. Armor. Burns gave her a written “undertaking” - a document that, according to Scottish law, certified an actual, albeit illegal, marriage.
However, Burns' reputation was so bad that Armor broke up
"obligation" in April 1786 and refused to take the poet as his son-in-law. Even before this humiliation, Burns decided to emigrate to Jamaica. It is not true that he published his poems to earn money for the trip - the idea of ​​this publication came to him later. Poems, Chiefly in the Scottish, printed in Kilmarnock
Dialect) went on sale on August 1, 1786. Half of the circulation of 600 copies was sold by subscription, the rest was sold in a few weeks. After this, Burns was accepted into the aristocratic literary circle
Edinburgh. Collected, processed and recorded about two hundred songs for the Scottish Musical Society. He began to write songs himself. Fame came to Burns almost overnight. Noble gentlemen opened the doors of their mansions to him.
Armor dropped the claim and Betty Peyton was paid off with 20 pounds. September 3
1786 Jean gives birth to twins.

The local nobility advised Burns to forget about emigration and go to
Edinburgh and announce a nationwide subscription. He arrived in the capital on November 29 and, with the assistance of J. Cunningham and others, concluded an agreement with the publisher W. Creech on December 14. During the winter season, Burns was in great demand in secular society. He was patronized by the "Caledonian Hunters", members of an influential club for the elite; at a meeting of the Masonic Grand Lodge
Scotland hailed him as the “Bard of Caledonia.” Edinburgh edition
The poem (published April 21, 1787) attracted about three thousand subscribers and brought Burns about 500 pounds, including one hundred guineas, for which he, following bad advice, gave up the copyright to Creech. About half of the proceeds went to help Gilbert and his family in Mossgiel.

Before leaving Edinburgh in May, Burns met J. Johnson, a semi-literate engraver and fanatical lover of Scottish music, who had recently published the first issue of the Scottish Music Museum.
(“The Scots Musical Museum”). From the autumn of 1787 until the end of his life, Burns was actually the editor of this publication: he collected texts and melodies, supplemented the surviving passages with stanzas of his own composition, and replaced lost or obscene texts with his own. He was so successful in this that without documented evidence it is often impossible to establish which are the folk texts and which are the Burns texts. For the “Museum”, and after 1792 for the more refined, but also less vibrant “Selected Original Scottish Melodies”
(“Select Collection of Original Scottish Airs”, 1793–1805) by J. Thomson, he wrote more than three hundred texts, each with its own motive.
Burns returned triumphantly to Mochlin on July 8, 1787. Six months of glory did not turn his head, but they changed the attitude towards him in the village. The Armors welcomed him, and he resumed his relationship with Jean. But Edinburgh maid Peggy Cameron, who gave birth to Burns's child, sued him, and he returned to Edinburgh.

There, on December 4, he met an educated married lady, Agnes Craig.
M'Lehuz. Three days later he sprained his knee and, bedridden, began a love correspondence with “Clarinda,” as she called herself. The dislocation also had more significant consequences. The doctor who treated Burns was familiar with
Scottish Excise Commissioner R. Graham. Having learned about the poet's desire to serve in the excise, he turned to Graham, who allowed Burns to undergo proper training. The poet passed it in the spring of 1788 in Mauchlin and Tarbolton and received a diploma on July 14. The prospect of an alternative source of income gave him the courage to sign the lease for Ellisland Farm on March 18.

Upon learning that Jean was pregnant again, her parents kicked her out of the house. Burns returned to Mauchlin on February 23, 1788 and, apparently, immediately recognized her as his wife, although the announcement took place only in May, and the church court approved their marriage only on August 5. On March 3, Jean gave birth to two girls, who died soon after. On June 11, Burns began working on the farm. By the summer of 1789 it became clear that Ellisland would not generate income in the near future, and in October Burns, through patronage, received the post of exciseman in his rural area. He performed it perfectly; in July 1790 he was transferred to Dumfries. In 1791 Burns refused the lease of Ellisland, moved to Dumfries and lived on the exciseman's salary.

Burns's creative work during his three years at Ellisland consisted mainly of texts for Johnson's Museum, with one major exception - a story in verse by Tam O'Shanter. In 1789, Burns met the antiquities collector Fr. Grose, who was compiling a two-volume anthology, The Antiquities of Scotland.
The poet invited him to include in the anthology an engraving depicting the Alloway Church, and he agreed - on the condition that Burns would write a legend about witchcraft in Scotland to accompany the engraving. This is how one of the best ballads in the history of literature arose.

Meanwhile, passions flared up around the Great French Revolution, which Burns accepted with enthusiasm. Investigations began into the loyalty of government officials. By December 1792, so many denunciations had accumulated against Burns that Chief Exciseman William Corbet arrived in Dumfries to personally conduct an inquiry. Through the efforts of Corbett and Graham, it all ended with
Burns was obliged not to talk too much. They still intended to promote him, but in 1795 he began to lose his health: rheumatism affected his heart, which had been weakened in adolescence. Burns died on July 21, 1796.

Burns is extolled as a romantic poet, both in the popular and literary sense of the term. However, Burns' worldview was based on the practical sanity of the peasants among whom he grew up. He essentially had nothing in common with romanticism. On the contrary, his work marked the last flowering of Scottish poetry in its native language - lyrical, earthly, satirical, sometimes mischievous poetry, the traditions of which were laid by R. Henryson (c. 1430 - c. 1500) and W. Dunbar (c. 1460 - c.
1530), forgotten during the Reformation and revived in the 18th century. A. Ramsey and
R. Ferguson.

LITERATURE

1. Wright-Kovaleva R. Robert Burns. M., 1965

2. Burns R. Poems. Poems; Scottish ballads. M., 1976

3. Burns R. Poems – The Poetical Works. M., 1982

The most famous of the Scottish poets, Robert Burns glorified his homeland, collected folklore and wrote inspired poetry - most often not in English (although he had an excellent command of the literary language), but in a special dialect - “Lowland Scots”. In Great Britain there is a saying about him: “When Scotland forgets Burns, the world will forget Scotland.” And the poet’s birthday, January 25, is still considered a national holiday by the Scots and they celebrate it with the music of bagpipes and Burns readings.

Burns's work was also known in Russia. The first translations appeared at the beginning of the 19th century: it is known that Burns’ volume was also in Pushkin’s library. Whoever took on the “Russian Burns” - Belinsky, Zhukovsky, Lermontov, Balmont... But he became dear to us thanks to the Soviet poet Samuil Marshak, who translated almost half of the great Scotsman’s legacy. And although sometimes his translations are far from the original, “Marshak’s” Burns sounds exactly the way the great Scot himself would probably want it - easily and melodiously.

Robert Burns was born in 1759 into a poor farming family. He lived a short but bright life: he died at the age of 37. While still a schoolboy, the boy was interested in poetry. True, unlike his peers, whose thoughts were in fantasy worlds, Robert was distinguished by a purely practical approach. His poems, even early ones, reflect experiences, thoughts, feelings experienced personally, as well as pictures of nature and observations of others.

True, the boy had the opportunity to write only in his free time. He had to work hard physically on the farm, which his father rented. Hunger, work in all weather conditions and other hardships were constant companions of Burns' childhood.

Robert will be able to move to the city with his brother only at the age of 25. The father died, attempts to independently engage in agriculture fail. By the way, a year later Burns’s first book of poems would be published. The first pancake was not at all lumpy: soon the aspiring writer became famous in his homeland.

The poet is moving in the capital - Edinburghthere, he becomes accepted into bohemian circles, but does not give up writing. Soon the most famous works came from his pen. Considerable credit for publishing the books belongs to James Johnson, with whom the writer became very friendly. Like the author himself, Johnson was a popularizer of Scottish folklore, and strongly supported attention to his native language.
Behind the rye field, bushes grew.
And the buds of unopened roses
They bowed down, wet with tears,
Dewy early morning.

But twice the morning haze
She came down and the rose blossomed.
And so the dew was light
On it on a balmy morning.

And linnet at dawn
Sat in a leafy tent
And everything was like silver,
In the dew of a cold morning.

Happy time will come
And the kids will chirp
In the shade of a green tent
Hot summer morning.

My friend, your turn will come
Pay for a lot of worries
To those who protect your peace
Early spring morning.

You, unopened flower,
Spread every petal
And those whose evening is not far away,
Warm you up on a summer morning!
Why did Burns become so popular during his lifetime? It’s just that it is understandable and close to the majority of compatriots. Of course, even before him, poets described philistine sketches in their poems. But only Burns presented them “from the inside”: not from the point of view of an observer, but a direct participant in the action. Let us repeat once again: he did not write about anything that the author did not know. Therefore, he personally saw the landscapes of his native Scotland in poetry, his love for a girl was felt to the depths of his soul, the thoughts of peasants working in the field were once present in his head, and the author knows the taste of national dishes firsthand.
Burns spoke simply, clearly and to the point. His poems amazingly intertwine lyricism, “groundedness,” notes of mischief, and sometimes satire.
And although the poet led a far from ideal lifestyle, had illegitimate children, was addicted to alcohol and practically went bankrupt, two centuries later he is still loved, to say the least - idolized. How else can we explain the fact that in every home of a self-respecting Scot there is a volume of Burns, some of his lines have turned into slogans, and some phrases have been “re-qualified” as lyrics, sayings and proverbs?
They say that a person lives as long as people remember him. Apparently, Robert Burns managed to achieve true immortality, because the memory of him is passed on from generation to generation among the Scots, and he himself is considered a symbol of the nation. Therefore, if you have friends and acquaintances from Scotland, be sure to congratulate them on the upcoming holiday. This is very important and pleasant for them.

Source: http://www.myjane.ru/articles/text/?id=18119

Marshak's translations were so melodic that they inspired many Soviet songwriters - and so Robert Burns became the songwriter for many Soviet films. Let's remember these songs and films.

"HELLO, I'M YOUR AUNT" (1975)

Brazilian folk song "Love and Poverty"
Performed by Donna Rosa d'Alvador (Alexander Kalyagin)
Composer Vladislav Kazenin

Performed by Kalyagin, this song sounds parody-passionate. But the poem itself, which Robert Burns wrote in 1793, two years before his death, sounds bitter: the poet struggled with poverty all his life:

Love and poverty forever
I was caught in a net.
For me, poverty is not a problem,
There would be no love in the world.

Why is fate the homewrecker?
Is love always a hindrance?
And why is love a slave
Prosperity and success?

"Office Romance" (1977)
Song “There is no peace for my soul”
Performed by Lyudmila Kalugina (Alisa Freindlikh) and Anatoly Novoseltsev (Andrey Myagkov)

This song is heard three times in the film, performed by the main characters - Lyudmila Prokofyevna and Novoseltsev. At the very beginning we hear her voice first, and then his. Throughout the film, the characters are looking for that very “someone” - and in the end, having found it, they sing together.

There is no peace for my soul,
I've been waiting for someone all day.
Without sleep I meet the dawn -
And all because of someone.

There is no one with me.
Oh, where to find someone!
I can go around the whole world,
To find someone.

O you who keep love
Unknown forces
May he return unharmed again
My dear someone comes to me.

But there is no one with me.
I'm sad for some reason.
I swear I would give anything
In the world for someone!

“Say a word about the poor hussar” (1980)
Song "Winter has flown by..."
Performed by Nastenka (Irina Mazurkevich) and girls

Still from the feature film “Say a word for the poor hussar” (1980)

The sad poem, written by Burns in 1788, in this film turns from tragic to tragicomic - it is sung by the “milliners” from Madame Josephine’s establishment, who earn their living not so much by sewing as by falling into the arms of the next hussar.

Winter has passed and spring has begun,
And the birds, ringing on every tree,
They sing about spring, but I’m sad
Since love stopped loving me.

The rosehip blossomed for the awakened bees.
The linnets sing in honor of the spring day.
There are two of them in the nest, their hearts are at peace.
My love stopped loving me.

School Waltz (1978)

Song "Love is like a red rose..."
Performed by Olga Yaroshevskaya

According to the plot of the film, two tenth graders - Gosha (Sergei Nasibov) and Zosya (Elena Tsyplakova) - are in love and are going to get married after graduating from school. But Gosha dances the graduation waltz with Dina (Evgenia Simonova). He marries her, betraying his first love Zosya, who is expecting a child.

And even though Burns himself wrote in 1794, at the end of his life, that he would love until the seas dried up, in fact, he was also not without sin. His mother's maid gave birth to the poet's first child just as he began an affair with his future wife, Jean Armor. Jean's father did not want to marry his daughter to Burns, and only when fame began to come to the poet were they able to enter into an official marriage. Which, however, did not stop him from subsequently falling in love with other women.

Love is like a red rose
Blooms in my garden
My love is like a song
With whom I go on the journey.

Stronger than your beauty
My love is one
She is with me until the sea
Will not dry to the bottom.