Myths of ancient Greece in brief. Myths of ancient Greece

In spring and summer, on the slopes of the wooded Helikon, where the sacred waters of the Hippocrene spring mysteriously murmur, and on high Parnassus, near the clear waters of the Castalian spring, Apollo dances with nine muses. Young, beautiful muses, daughters of Zeus and Mnemosyne, are Apollo's constant companions. He leads the choir of muses and accompanies their singing by playing his golden lyre. Apollo walks majestically ahead of the choir of muses, crowned with a laurel wreath, followed by all nine muses: Calliope - the muse of the epic...

Apollo had to be cleansed from the sin of the shed blood of Python. After all, he himself cleanses the people who committed murder. By decision of Zeus, he retired to Thessaly to the beautiful and noble king Admetus. There he tended the king's flocks and with this service he atoned for his sin. When Apollo played a reed flute or a golden harp in the pasture, wild animals came out of the forest, enchanted by his playing. Panthers and fierce lions walked peacefully among the herds. Deer and chamois came running to the sound of the flute. Peace and joy reign...

When the Argonauts sailed along the Propontis, they landed on the Cyziku Peninsula along the way. The Dolions, descendants of Poseidon, lived there. They were ruled by King Cyzicus. Not far from Cyzicus there was Bear Mountain, where six-armed giants lived; Only thanks to the protection of Poseidon could the Dolions live safely next to such neighbors. King Cyzicus received the Argonauts with honor, and they spent the whole day with him at a merry feast. As soon as morning dawned, the Argonauts got ready to set off. They had already boarded the Argo, when suddenly...

But Apollo is not only an avenger, he does not only send death with his golden arrows; he heals diseases. The son of Apollo, Asclepius, is the god of doctors and medical art. The wise centaur Chiron raised Asclepius on the slopes of Pelion. Under his leadership, Asclepius became such a skilled physician that he surpassed even his teacher Chiron. Asclepius not only healed all diseases, but even brought the dead back to life. By this he angered the ruler of the kingdom of the dead Hades and the thunderer Zeus, since he broke the law...

It is not for the pampered, flighty goddess Aphrodite to interfere in bloody battles. She awakens love in the hearts of gods and mortals. Thanks to this power, she reigns over the whole world. No one can escape her power, not even the gods. Only the warrior Athena, Hestia and Artemis are not subject to her power. Tall, slender, with delicate features, with a soft wave of golden hair lying like a crown on her beautiful head, Aphrodite is the personification divine beauty and unfading youth. When she walks, in the brilliance of her beauty...

Grozen Boreas, god of the indomitable, stormy north wind. Furious, he rushes over the lands and seas, causing all-crushing storms with his flight. One day Boreas, flying over Attica, saw the daughter of Erechtheus Orithia and fell in love with her. Boreas begged Orithia to become his wife and allow him to take her with him to his kingdom in the far north. Orithia did not agree; she was afraid of the formidable, stern god. Boreas was also refused by Orithia's father, Erechtheus. No requests, no pleas from Boreas helped. The terrible god was angry and...

Young, radiant Apollo rushed across the azure sky with a cithara in his hands, with a silver bow over his shoulders; golden arrows rang loudly in his quiver. Proud, jubilant, Apollo rushed high above the earth, threatening everything evil, everything born of darkness. He strove to where the formidable Python lived, pursuing his mother Latona; he wanted to take revenge on him for all the evil that he caused her. Apollo quickly reached the gloomy gorge, the home of Python. Rocks rose all around, reaching high into the sky. Darkness reigned in the gorge. P...

But the struggle did not end there. Gaia-Earth was angry with the Olympian Zeus for treating her defeated titan children so harshly. She married the gloomy Tartarus and gave birth to the terrible hundred-headed monster Typhon. Huge, with a hundred dragon heads, Typhon rose from the bowels of the earth. He shook the air with a wild howl. The barking of dogs, human voices, the roar of an angry bull, the roar of a lion were heard in this howl. Stormy flames swirled around Typhon, and the earth shook under his heavy...

Heroes, myths and legends about them. Therefore it is important to know them summary. The legends and myths of Ancient Greece, the entire Greek culture, especially of the late period, when both philosophy and democracy were developed, had a strong influence on the formation of the entire European civilization as a whole. The mythology evolved over a long period of time. Tales and legends became famous because reciters wandered along the paths and roads of Hellas. They carried more or less long stories about the heroic past. Some gave only a brief summary.

The legends and myths of Ancient Greece gradually became familiar and beloved, and what Homer created was customary for an educated person to know by heart and be able to quote from anywhere. Greek scientists, who sought to put everything in order, began to work on the classification of myths, and turned disparate stories into an orderly series.

Main Greek gods

The very first myths are dedicated to the struggle of various gods among themselves. Some of them did not have human features - these were the offspring of the goddess Gaia-Earth and Uranus-Sky - twelve titans and six more monsters who horrified their father, and he plunged them into the abyss - Tartarus. But Gaia persuaded the remaining titans to overthrow their father. This was done by the insidious Kronos - Time. But, having married his sister, he was afraid of the children being born and swallowed them immediately after birth: Hestia, Demeter, Poseidon, Hera, Hades. Having given birth to the last child, Zeus, the wife deceived Kronos, and he was unable to swallow the baby. And Zeus was safely hidden in Crete. This is just a summary. The legends and myths of Ancient Greece terribly describe the events taking place.

Zeus's war for power

Zeus grew up, matured and forced Kronos to return his swallowed sisters and brothers to the world. He called them to fight their cruel father. In addition, some of the titans, giants and cyclops took part in the fight. The struggle lasted ten years. The fire raged, the seas boiled, nothing was visible from the smoke. But the victory went to Zeus. The enemies were overthrown into Tartarus and taken into custody.

Gods on Olympus

Zeus, to whom the Cyclops bound lightning, became the supreme god, Poseidon controlled all the waters on earth, and Hades controlled the underground kingdom of the dead. This was already the third generation of gods, from which all the other gods and heroes descended, about whom stories and legends would begin to be told. The ancients attributed to the cycle about Dionysus, winemaking, fertility, the patron of night mysteries, which were held in the darkest places. The mysteries were terrible and mysterious. This is how the struggle between the dark gods and the light gods began to take shape. There were no real wars, but the dark gods began to gradually give way to the bright sun god Phoebus with his rational principle, with his cult of reason, science and art.

And the irrational, ecstatic, sensual retreated. But these are two sides of the same phenomenon. And one was impossible without the other. wife of Zeus, patronized the family. Ares - war, Athena - wisdom, Artemis - the moon and hunting, Demeter - agriculture, Hermes - trade, Aphrodite - love and beauty.

Hephaestus - to artisans. Their relationships between themselves and people make up the legends of the Hellenes. They were fully studied in pre-revolutionary gymnasiums in Russia. Only now, when people are concerned mostly with earthly concerns, do they, if necessary, pay attention to their brief content. The legends and myths of Ancient Greece are moving further into the past.

Who was patronized by the gods

They weren't very kind to people. They often envied them or lusted after women, were jealous, and were greedy for praise and honors. That is, they were very similar to mortals, if we take their description. Tales (summary), legends and myths of Ancient Greece (Kun) describe their gods in very contradictory ways. “Nothing pleases the gods more than the collapse of human hopes,” Euripides believed. And Sophocles echoed him: “The gods most willingly help a person when he goes towards his death.”

All gods obeyed Zeus, but for people he was important as a guarantor of justice. It was when the judge judged unjustly that man turned to Zeus for help. In matters of war, only Mars dominated. Wise Athena patronized Attica. All sailors made sacrifices to Poseidon when they went to sea. In Delphi one could ask for favors from Phoebus and Artemis.

Myths about heroes

One of the favorite myths was about Theseus, the son of King Aegeus of Athens. He was born and raised in royal family in Troesen. When he grew up and was able to get his father's sword, he went to meet him. Along the way, he destroyed the robber Procrustes, who did not allow people to pass through his territory. When he got to his father, he learned that Athens was paying tribute to Crete with girls and boys. Together with another batch of slaves, under mourning sails, he went to the island to kill the monstrous Minotaur. Princess Ariadne helped Theseus through the labyrinth in which the Minotaur was located. Theseus fought the monster and destroyed it. The Greeks joyfully, freed forever from tribute, returned to their homeland. But they forgot to change the black sails. Aegeus, who did not take his eyes off the sea, saw that his son had died, and from unbearable grief he threw himself into the abyss of the waters above which his palace stood. The Athenians rejoiced that they were freed from tribute forever, but they also cried when they learned about the tragic death of Aegeus. The myth of Theseus is long and colorful. This is its summary. Legends and myths of Ancient Greece (Kun) will give a comprehensive description of it.

The epic is the second part of the book by Nikolai Albertovich Kun

The legends of the Argonauts, the voyages of Odysseus, Orestes' revenge for the death of his father, and the misadventures of Oedipus in the Theban cycle form the second half of the book that Kuhn wrote, Legends and Myths of Ancient Greece. A summary of the chapters is indicated above.

Returning from Troy to his native Ithaca, Odysseus spent a lot of time for long years in dangerous wanderings. The way home through the stormy sea was difficult for him. God Poseidon could not forgive Odysseus for the fact that, saving his life and the lives of his friends, he blinded the Cyclops and sent unheard-of storms. Along the way, they were killed by sirens, captivated by their unearthly voices and mellifluous singing. All his companions died while traveling across the seas. All were destroyed by evil fate. Odysseus languished in captivity with the nymph Calypso for many years. He begged to be allowed to go home, but the beautiful nymph refused. Only the requests of the goddess Athena softened the heart of Zeus, he took pity on Odysseus and returned him to his family.

The legends of the Trojan cycle and the campaigns of Odysseus were created by Homer in his poems - “The Iliad” and “Odyssey”; the myths about the campaign for the Golden Fleece to the shores of Pontus Evsinsky are described in the poem of Apollonius of Rhodes. Sophocles wrote the tragedy “Oedipus the King,” and the playwright Aeschylus wrote the tragedy about the Arrest. They are given in a summary of “Legends and Myths of Ancient Greece” (Nikolai Kun).

Myths and legends about gods, titans, and numerous heroes disturb the imagination of artists of the word, brush and cinematography of our days. Standing in a museum near a painting on a mythological theme, or hearing a name beautiful Elena, it would be nice to have at least a little idea of what is behind this name (a huge war), and to know the details of the plot depicted on the canvas. “Legends and Myths of Ancient Greece” can help with this. A summary of the book will reveal the meaning of what you saw and heard.

There is not a single people who would not have their own idea of the universe, the gods who rule life, as well as their struggle for power and influence. The myths of Ancient Greece, a brief summary of which we will consider in our article, are also special in that they pay a lot of attention to people. Powerful heroes have divine origins, but remain human - mortal and vulnerable, in need of help. And nothing human is alien to them.

What is a myth?

Before studying the myths of Ancient Greece (a brief summary - more is not available to us due to the volume of the article), it is worth understanding what a “myth” is. Essentially, this is a story that reflects people's ideas about the world and order in it, as well as the role of man in the Universe. If you believe the ancient authors, then people were active participants, and not just a crowd that expected mercy from the immortal celestials. But first things first.

Another feature of Greek myths is their high level orderliness and culture. In addition, their character changed depending on the region of the country, since each polis had its own, more revered gods and heroes, from whom, as the Greeks believed, the population descended. Of course, over time the legends changed and acquired a different meaning. But the most important thing about them is the content, which tells about the life of society in the primitive era, not only in Greece. Researchers note that many stories echo the myths of other peoples who lived at that time, which may indicate that they were created in parallel and carry a grain of truth. The myths of Ancient Greece, a summary of which we are considering, is an attempt to explain the world and pass on to descendants views on morality and relations in society.

What do ancient Greek legends tell about?

We will talk very briefly about the essence of ancient legends, since many ancient myths of Greece have reached us. A summary of them could fill a whole book. For example, Nikolai Kun, a famous researcher of ancient heritage, collected, organized and translated more than two hundred legends. Many of them are presented in the form of cycles. We will try to divide them into several groups. This:

myths about the origin of the world and the gods;
stories about titans and the battle of gods with titans;
myths about the gods who lived on Olympus;
labors of Hercules;
stories about people and heroes (Perseus, Theseus, Jason) - a cycle about its causes, course and ending, as well as the return of the heroes of the battle home (the main characters of the myths are Paris, Menelaus, Helen, Achilles, Odysseus, Hector, Agamemnon);
myths about world exploration and colonization (Argonauts).

Myths of Ancient Greece (summary). About Zeus the Thunderer

The Greeks paid a lot of attention to the main god of Olympus. No wonder, because an angry Thunderer could punish with lightning for a disrespectful attitude or send another grief, and even turn away from a person, which was even worse. Zeus was considered the youngest son of the titans Kronos and Rhea - time and the mother goddess. Rhea saved him from being consumed as Kronos swallowed all his children, fearing for his power.

Having matured, he overthrows his tyrant father and brings all his brothers and sisters back to life, and also distributes power between them. He himself was responsible for the wind, clouds, storm and hurricane. Zeus could calm the elements or send them, helped the offended and punished those who deserved it. However, he could not control fate.

The love affairs of Zeus are also described in the myths of Ancient Greece, a brief summary of which we are studying. God had a passion for beautiful girls and goddesses and seduced them in every possible way. From them he had many children - gods and goddesses, heroes, kings. Many of them were not loved by Hera, the legitimate wife of the Thunderer, and often persecuted them and harmed them.

Instead of an epilogue

In the pantheon of the ancient Greeks there were many gods responsible for all sectors of their life - agriculture, navigation, trade, war, crafts, the other world. However, there were also creatures, demigods, who patronized science and art, and monitored justice and morality. This means that great attention was paid to these aspects.

Every cultured person should know what the ancient myths of Hellas tell us about, so it’s worth reading them at least briefly. But reading them in their entirety allows you to plunge into amazing world, full of interesting and unusual things.

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What is a myth?

Another feature of Greek myths is their high level of orderliness and culture. In addition, their character changed depending on the region of the country, since each polis had its own, more revered gods and heroes, from whom, as the Greeks believed, the population descended. Of course, over time the legends changed and acquired a different meaning. But the most important thing about them is the content, which tells about the life of society in the primitive era, not only in Greece. Researchers note that many stories echo the myths of other peoples who lived at that time, which may indicate that they were created in parallel and carry a grain of truth. The myths of Ancient Greece, a brief summary of which we are considering, is an attempt to explain the world around us and convey to our descendants views on morality and relations in society.

What do ancient Greek legends tell about?

myths about the origin of the world and the gods;
stories about titans and the battle of gods with titans;
myths about the gods who lived on Olympus;
labors of Hercules;
stories about people and heroes (Perseus, Theseus, Jason) - a cycle about the Trojan War, its causes, course and end, as well as the return of the heroes of the battle home (the main characters of the myths are Paris, Menelaus, Helen, Achilles, Odysseus, Hector, Agamemnon );
myths about world exploration and colonization (Argonauts).

Myths of Ancient Greece (summary). About Zeus the Thunderer

Having matured, he overthrows his tyrant father and brings all his brothers and sisters back to life, and also distributes power between them. He himself was responsible for the wind, clouds, thunder and lightning, storm and hurricane. Zeus could calm the elements or send them, helped the offended and punished those who deserved it. However, he could not control fate.

Instead of an epilogue

Every cultured person should know what the ancient myths of Hellas tell us about, so it’s worth reading them at least briefly. But reading them in their entirety allows you to plunge into an amazing world, full of interesting and unusual things.

The most ancient gods of Ancient Greece, known to us from myths, were personifications of those forces of nature, whose activity determines physical life and arouses in the human heart either fear and horror, or hope and trust - personifications of forces mysterious to man, but obviously dominating his fate, which were the first objects of idolization among all peoples. But the gods of Ancient Greece were not only symbols of the forces of external nature; At the same time, they were the creators and guardians of all moral goods, personifications of all the forces of moral life. All those forces of the human spirit by which cultural life is created, and the development of which among the Greek people gave it such great importance in the history of mankind, were invested by him in the myths about the gods. The gods of Greece are personifications of all the great and beautiful powers of the Greek people; the world of the gods of Ancient Greece - a complete reflection Greek civilization. The Greeks made their gods in myths similar to people, therefore they felt obliged to become like gods; caring about improving was a religious duty for them. Greek culture has a close connection with the Greek religion.

Gods of Ancient Greece. Video

Different generations of gods of Ancient Greece

The basis of the religion of Ancient Greece in Pelasgian times was the worship of the forces of nature, manifested in heaven, on earth, and in the sea. Those gods who were the most ancient personifications of the forces of earth and sky among the pre-Greek Pelasgians were overthrown by a series of catastrophes, the legends of which were preserved in ancient Greek myths about the struggle of the Olympians with the titans and giants. The new gods of Ancient Greece, who took away dominion from the previous ones, descended from them, but already had a completely human image.

Zeus and Hera

So, new humanoid gods began to rule the world, the main one in the myths was Zeus, the son of Cronus; but the former gods, personified forces of nature, retained their mysterious effectiveness, which even the omnipotent Zeus could not overcome. Just as omnipotent kings are subject to the laws of the moral world, so Zeus and other new gods of Ancient Greece are subject to the laws of nature and fate.

Zeus, the main god in the myths of Ancient Greece, is the collector of clouds, sitting on a throne in the heights of the ether, shaking with his lightning shield, Aegis (thundercloud), life-giving and fertilizing the earth, and at the same time the establisher and guardian of legal order. All rights are under his protection, especially family rights and the custom of hospitality. He commands rulers to be concerned about the welfare of the governed. He gives prosperity to kings and peoples, cities and families; he is also justice. He is the source of everything good and noble. He is the father of the goddesses of the clock (Or), personifying the correct course of the annual changes of nature and the correct order of human life; he is the father of the Muses, who give joy to the human heart.

His wife, Hera, in the myths of Ancient Greece, is a grumpy goddess of the atmosphere, who has as her servants the rainbow (Iris) and clouds (the Greek name for cloud, nephele, the word female), at the same time the establisher of the sacred marriage union, in honor of which the Greeks performed solemn ceremonies at the festival of spring abundant with flowers. The goddess Hera is a strict guardian of the sanctity of the marriage union and under her protection is a housewife faithful to her husband; She blesses marriages with children and protects children. Hera relieves women of the suffering of childbirth; She is assisted in this care by her daughter Eileithyia.

Pallas Athena

The virgin goddess Pallas Athena, according to the myths of Ancient Greece, was born from the head of Zeus. She was originally considered a goddess clear skies, who disperses dark clouds with her spear, and is the personification of victorious energy in any struggle. Athena was always depicted with a shield, sword and spear. Her constant companion was the winged goddess of victory (Nike). Among the Greeks, Athena was the guardian of cities and fortresses, and she also gave people correct, fair social and state orders. The image of the goddess Athena personified wise balance, a calm, insightful mind, necessary for the creators of works of mental activity and art.

Statue of Virgin Athena in the Parthenon. Sculptor Phidias

In Ancient Greece, Pallas was most revered by the Athenians, the inhabitants of the city named after this goddess. The public life of Athens was imbued with service to Pallas. A huge statue of Athena by Phidias stood in the magnificent temple of the Athenian Acropolis - the Parthenon. Athena was associated with the famous ancient Greek city by many myths. The most famous of them was the myth about the dispute between Athena and Poseidon for the possession of Attica. The goddess Athena won it by giving the region the basis of its agriculture - the olive tree. Ancient Athens celebrated many festivals in honor of its beloved goddess. The main ones were the two Panathenaic holidays - Great and Small. Both of them, according to the myths of Ancient Greece about the gods, were founded by one of the most ancient ancestors of Athens - Erechtheus. The Lesser Panathenaea was celebrated annually, and the Great Panathenaea once every four years. On the great Panathenaea, all the inhabitants of Attica gathered in Athens and organized a magnificent procession, during which a new mantle (peplos) was carried to the Acropolis for the ancient statue of the goddess Pallas. The procession marched from Keramik, along the main streets, which were crowded with people in white clothes.

God Hephaestus in Greek myths

Hephaestus, the god of heavenly and earthly fire, was close in importance to Pallas Athena, the goddess of the arts, in ancient Greek myths. The activity of Hephaestus was most strongly manifested by volcanoes on the islands, especially on Lemnos and Sicily; but in the application of fire to the affairs of human life, Hephaestus helped a lot in the development of culture. Prometheus, who brought fire to people and taught them the arts of life, is also closely related to the concept of Athena. The Attic festival of running with torches was dedicated to these three gods - a competition in which the winner was the one who would be the first to reach the goal with a burning torch. Pallas Athena was the inventor of those arts that women practiced; The lame Hephaestus, about whom poets often joked, was the founder of the art of blacksmithing and a master in metal work. Like Athena, he was the god of the hearth and hearth in Ancient Greece. family life, therefore, under the auspices of Hephaestus and Athena, a wonderful holiday of the “state family” was celebrated in Athens, the holiday of Anaturium, at which newborn children were surrounded by the steep hearth, and this ritual consecrated their acceptance into the family union of the state.

God Vulcan (Hephaestus). Statue by Thorvaldsen, 1838

Hestia

The importance of the hearth as the center of family life and the beneficial influence of a strong home life on the moral and social life were personified in the myths of Ancient Greece by the maiden goddess Hestia, a representative of the concepts of settled life and a comfortable home life, the symbol of which was the sacred fire of the hearth. Initially, Hestia was in ancient Greek myths about the gods the personification of the earth, above which the ethereal fire of the sky burns; but later it became a symbol of civil improvement, which gains strength on earth only through the union of earth with heaven, as a divine institution. Therefore, in every Greek home, the hearth was the religious center of the family. Whoever approached the hearth and sat on its ashes acquired the right to protection. Each clan union of Ancient Greece had a common sanctuary of Hestia, in which symbolic rites were reverently performed. In ancient times, when there were kings and when the king made sacrifices as a representative of the people, resolved litigation, gathered noble people and ancestors for council, the hearth of the royal house was a symbol of the state connection of the people; Afterwards, the prytanium, the religious center of the state, had the same significance. An unquenchable fire burned on the state hearth of the prytaneum, and the prytanes, the elected rulers of the people, had to take turns staying constantly at this hearth. The hearth was the connection between earth and heaven; therefore Hestia was also the goddess of sacrifice in Ancient Greece. Each solemn sacrifice began with a sacrifice to her. And all public prayers of the Greeks began with an appeal to Hestia.

Myths about the god Apollo

For more details, see the separate article God Apollo

The god of shining light, Apollo, was the son of Zeus from Latona (who was the personification of the dark night in ancient Greek myths). His cult was brought to Ancient Greece from Asia Minor, where the local god Apelun existed. According to Greek myths, Apollo spends the winter in the distant land of the Hyperboreans, and in the spring he returns to Hellas, pouring life into nature and joy and the desire to sing into man. Apollo was therefore recognized as the god of singing - and in general of that inspiring force that gives rise to art. Thanks to its revitalizing qualities, the cult of this god was also associated with the idea of healing and protection from evil. With his well-aimed arrows (the sun's rays) Apollo destroys all defilement. This idea was symbolically expressed by the ancient Greek myth about the killing of the terrible serpent Python by Apollo. The skillful shooter Apollo was considered the brother of the goddess of hunting Artemis, together with whom he killed the sons of an overly proud woman with arrows. Niobe.

The ancient Greeks considered poetry and music to be the gift of Apollo. Poems and songs were always performed at his holidays. According to legend, having defeated the monster of darkness, Python, Apollo composed the first paean (victory hymn). As the god of music, he was often depicted with a cithara in his hands. Since poetic inspiration is akin to prophetic inspiration, in the myths of Ancient Greece Apollo was also recognized as the supreme patron of soothsayers, who gives them the prophetic gift. Almost all Greek oracles (including the main one, the Delphic one) were founded in the sanctuaries of Apollo.

Apollo Saurocton (killing the lizard). Roman copy of a 4th century statue of Praxiteles. BC

The god of music, poetry, and singing, Apollo, was in the myths of Ancient Greece the ruler of the goddesses of the arts - muses, nine daughters of Zeus and the goddess of memory Mnemosyne. The groves of Parnassus and Helicon, located in the vicinity of Delphi, were considered the main abode of the muses. As the ruler of the muses, Apollo had the epithet "Muzageta". Clio was the muse of history, Calliope - epic poetry, Melpomene - tragedy, Thalia - comedy, Erato - love poetry, Euterpe - lyric poetry, Terpsichore - dancing, Polyhymnia - hymns, Urania - astronomy.

The sacred plant of Apollo was the laurel.

The god of light, purity and healing, Apollo in the myths of Ancient Greece not only heals people from ailments, but also cleanses them from sins. From this side, his cult comes into even closer contact with moral ideas. Even after defeating the evil monster Python, Apollo considered it necessary to cleanse himself of the filth of murder and, to atone for him, went to serve as a shepherd for the Thessalian king Admetus. By this, he gave people an example that those who committed bloodshed must always repent, and became the purifier god of murderers and criminals. In Greek myths, Apollo healed not only the body, but also the soul. Repentant sinners found forgiveness from him, but only with sincerity of repentance. According to ancient Greek customs, the murderer was supposed to earn forgiveness from the relatives of the murdered person, who had the right to take revenge on him, and spend eight years in exile.

Apollo was the main tribal god of the Dorians, who celebrated two great holidays in his honor every year: Carnea and Iakinthia. The Carnean festival was celebrated in honor of Apollo the warrior, in the month of Carnea (August). During this holiday, war games, singing and dancing competitions were held. Hyacinthia, celebrated in July (nine days), was accompanied by sad rites in memory of the death of the beautiful young man Jacinthus (Hyacinth), the personification of flowers. According to the myths of Ancient Greece about the gods, Apollo accidentally killed this favorite of his while throwing a discus (a symbol of how the disc of the sun kills flowers with its heat). But Hyacinth was resurrected and taken to Olympus - and at the festival of Hyacinthius, after the sad rites, cheerful processions of young men and girls with flowers took place. The death and resurrection of Jacinthos personified the winter death and spring rebirth of plants. This episode of ancient Greek myth appears to have developed under strong Phoenician influence.

Myths about the goddess Artemis

Apollo's sister, Artemis, the virgin goddess of the moon, walked through the mountains and forests, hunting; bathed with the nymphs, her companions, in cool streams; was the patroness of wild animals; at night she watered the thirsty earth with life-giving dew. But at the same time, in the myths of Ancient Greece, Artemis was also a goddess who destroyed sailors, so in ancient times in Greece, people were sacrificed to her to appease her. With the development of civilization, Artemis became the goddess of virginal purity, the patroness of brides and girls. When they got married, they brought gifts to her. Artemis of Ephesus was the goddess of fertility, who gave harvests to the earth and children to women; in the idea of it, the myths of Ancient Greece were probably joined by eastern concepts. Artemis was depicted as having many breasts on her chest; this meant that she was a generous nurse of people. At the magnificent temple of Artemis there were many hierodulas and many attendants dressed in men's dress, and armed; therefore, in ancient Greek myths it was believed that this temple was founded by the Amazons.

Artemis. Statue in the Louvre

The original physical meaning of Apollo and Artemis in the myths of Ancient Greece about the gods was increasingly obscured by a moral one. Therefore, Greek mythology created a special sun god, Helios, and a special moon goddess, Selene. – He was also made a representative of the healing power of Apollo. special god, son of Apollo, Asclepius.

Ares and Aphrodite

Ares, the son of Zeus and Hera, was originally a symbol of the stormy sky, and his homeland was Thrace, the country of winter storms. Among the ancient Greek poets he became the god of war. Ares is always armed; he loves the noise of battle. Ares is furious. But he was also the founder of the sacred Athenian tribunal, which tried cases of murder, which had its meetings on a hill dedicated to Ares, the Areopagus, and was called by the name of this hill, also the Areopagus. Both as the god of storms and as the furious god of battles, he is the opposite of Pallas Athena, the goddess of clear skies and judicious conduct of battles. Therefore, in the myths of Ancient Greece about the gods, Pallas and Ares are hostile to each other.

In the concepts of Aphrodite, the goddess of love, a moral element was also added to the physical nature of love in ancient Greek myths over time. The cult of Aphrodite passed to Ancient Greece from the colonies founded by the Phoenicians on Cyprus, Kythera, Thasos and other islands. In the myths of the Phoenicians, the concept of the perceiving and giving birth element of the forces of nature was personified by two goddesses, Asherah and Astarte, whose ideas were often mixed. Aphrodite was Asherah and Astarte. In the myths of Ancient Greece about the gods, she corresponded to Asherah, when she was a goddess who loved gardens and flowers, living in groves, the goddess of joyful spring and voluptuousness, enjoying the love of the beautiful young man Adonis in the forest on the mountain. She corresponded to Astarte when she was revered as the “goddess of the heights”, like the stern, spear-wielding Aphrodite Urania (heavenly) or Aphrodite of Acreia, whose places of worship were the tops of mountains, who imposed on her priestesses a vow of eternal maidenhood, guarded the chastity of conjugal love and family morality . But the ancient Greeks knew how to combine these opposing ideas and, from their combination, created in myth a wondrous image of a graceful, charming, physically beautiful and morally sweet goddess, delighting the heart with the beauty of her forms, arousing tender affection. This mythological combination of physical feeling with moral attachment, giving sensual love its natural right, protected people from the gross vulgarity of eastern unbridled voluptuousness. The ideal of female beauty and grace, the sweetly smiling Aphrodite of ancient Greek myths and the goddesses of the east, burdened with heavy and precious attire, are completely different creatures. The difference between them is the same as between joyful service to the goddess of love in better times Ancient Greece and noisy Syrian orgies, in which the goddess, surrounded by eunuchs, was served with unbridled revelry of coarse sensuality. True, in later times, with the depravity of morals, vulgar sensuality penetrated into the Greek service to the goddess of love. Aphrodite of Heaven (Urania), the goddess of honest love, patroness of family life, was pushed aside in the myths about the gods by Aphrodite of the People (Pandemos), the goddess of voluptuousness, whose holidays are big cities turned into a riot of vulgar sensuality.

Aphrodite and her son Eros (Eros), turned by poets and artists into the oldest among the theogonic gods, into the youngest of olympian gods, and who became a young man accompanying his mother, later even a child, were favorite objects of ancient Greek art. The sculpture usually depicted Aphrodite naked, emerging from the waves of the sea; she was given all the charm of a beauty whose soul is full of feelings of love. Eros was depicted as a boy with soft, rounded body contours.

Myths about the god Hermes

With the development of culture in the myths of Ancient Greece about the gods, the Pelasgian god of nature Hermes, to whom Arcadian shepherds made sacrifices on Mount Cyllene, also acquired moral significance; he was among them the personification of the power of the sky, which gives grass to their pastures, and the father of their ancestor, Arcas. According to their myths, Hermes, while still a baby, wrapped in a cradle linen (in the fog of dawn), stole the flocks (light clouds) of the sun god, Apollo, and hid them in a damp cave near the seashore; stretching the strings on the shell of a turtle, he made a lyre and, giving it to Apollo, acquired the friendship of this more powerful god. Hermes also invented the shepherd's pipe, with which he walks through the mountains of his homeland. Subsequently, Hermes became the guardian of roads, crossroads and travelers, the keeper of streets and boundaries. On the latter, stones were placed, which were symbols of Hermes, and his images, which gave the boundaries of the plots holiness and strength.

God Hermes. Sculpture of Phidias (?)

Herms (that is, symbols of Hermes) were originally just heaps of stones piled on boundaries, near roads and especially at crossroads; these were boundary and waymarks considered sacred. Passers-by threw stones back where they had been placed before. Sometimes oil was poured on these heaps of stones dedicated to the god Hermes, as on primitive altars; they were decorated with flowers, wreaths, and ribbons. Subsequently, the Greeks placed triangular or tetrahedral stone pillars as waymarks and boundary markers; over time, they began to give them more skillful decoration; they usually made a pillar with a head, sometimes with a phallus, a symbol of fertility. Such herms stood along the roads, streets, squares, at gates, at doors; They were also placed in palaestras and gymnasiums, because Hermes was the patron of gymnastic exercises in the myths of Ancient Greece about the gods.

From the concept of the god of rain penetrating the earth, the idea of mediation between heaven, earth and underground world, and Hermes became in the myths of Ancient Greece the god who escorts the souls of the dead to the underworld (Hermes Psychopompos). Thus, he was placed in close connection with the gods living in the earth (chthonic gods). These ideas came from the concept of the connection between the emergence and death of plants in the cycle of life of nature and from the concept of Hermes as the messenger of the gods; they served as the source of many ancient Greek myths, which placed Hermes in very diverse relationships to the everyday affairs of people. The original myth already made him a cunning man: he cleverly stole Apollo’s cows and managed to make peace with this god; Hermes knew how to get out of difficult situations with clever inventions. This trait remained an invariable feature of the character of the god Hermes in later ancient Greek myths about him: he was the personification of everyday dexterity, the patron of all activities in which success is given by the ability to speak deftly and the ability to remain silent, hide the truth, pretend, and deceive. In particular, Hermes was the patron god of trade, oratory, embassies and diplomatic affairs in general. With the development of civilization, the concepts of these activities became predominant in the concept of Hermes, and his original pastoral meaning was transferred to one of the minor gods, Pan, "god of the pastures", just as the physical meaning of Apollo and Artemis was transferred to the less important gods, Helios and Selene.

God Pan

Pan was in ancient Greek myth the god of goat herds who grazed the wooded mountains of Arcadia; there he was born. His father was Hermes, his mother was the daughter of Dryope (“forest god”). Pan walks through shady valleys, caves serve as shelter for him; he has fun with the nymphs of the forest and mountain springs, dancing to the sounds of his shepherd's pipe (syringa, syrinx), an instrument that he himself invented; sometimes he himself dances with the nymphs. Pan is sometimes kind to the shepherds and becomes friends with us; but sometimes he causes trouble for them, raising a sudden fear in the herd (“panic” fear), so that the whole herd scatters. God Pan forever remained in Ancient Greece as a merry fellow of shepherd's holidays, a master of playing the reed pipe, funny for the townspeople; Later art characterized Pan's closeness to nature, giving his figure goat legs, or even horns and other animal features.

God Pan and Daphnis, hero of an ancient Greek novel. Antique statue

Poseidon in the myths of Ancient Greece

For more details, see the separate article God Poseidon

The gods of the sea and flowing waters and the gods living underground, more than the deities of the sky and air, retained the original meaning of the personified forces of nature: but they also received human traits. Poseidon - in the myths of Ancient Greece, the divine power of all waters, the god of the sea and all rivers, streams, springs that fertilize the earth. Therefore, he was the main god on the seaside and on the capes. Poseidon is strong, broad-shouldered, and has an indomitable character. When he strikes the sea with his trident, a storm arises, the waves crash against the rocks of the shores so that the earth trembles, the cliffs crack and collapse. But Poseidon is also a good god: he produces springs from the cracks of the rocks to fertilize the valleys; he created and tamed the horse; he is the patron of horse races and all war games, the patron of all daring journeys, whether on horseback, in chariots, by land, or by sea in ships. In ancient Greek myths, Poseidon is a mighty builder who established the earth and its islands, and laid strong boundaries for the sea. He raises storms, but he also gives favorable winds; at his command, the sea swallows ships; but he also guides the ships into the pier. Poseidon – patron of navigation; he protects maritime trade and controls the course of naval warfare.

God of ships and horses, Poseidon played, according to the myths of Ancient Greece about the gods, important role on all campaigns and sea expeditions of the heroic age. The birthplace of his cult was Thessaly, the country of the Neptunian formation, horse herds and navigation; then his service spread to Boeotia, Attica, and throughout the Peloponnese, and his holidays early began to be accompanied by war games. The most famous of these games in honor of the god Poseidon took place in the Boeotian city of Onchest and on Isthmus. In Onkhest, his sanctuaries and their grove stood picturesquely on a beautiful and fertile hill above Lake Kopai. The location of the Isthmian Games was a hill near Schoinos, "Reeds", a lowland overgrown with reeds, shaded by a pine grove. Symbolic rituals were introduced into the worship of Poseidon on Isthmus, borrowed from the legend of the death of Melicert, that is, from the Phoenician service to Melqart. – The wind-fast horses of the heroic age were created by the god Poseidon; in particular, Pegasus was created by him. – Poseidon’s wife, Amphitrite, was the personification of the roaring sea.

Like Zeus, Poseidon had many love affairs in the myths of ancient Greece about the gods, many sea gods and goddesses, and many heroes were his children. Tritons, the number of which was countless, belonged to Poseidon's retinue. These were cheerful creatures of various forms, personifications of noisy, ringing, sliding waves and mysterious forces of the depths of the sea, fantastically transformed sea animals. They played on trumpets made from shells, frolicked, and trailed the Nereids. They were one of my favorite objects of art. Proteus, the sea god, prophet of the future, who, according to ancient Greek myths, had the ability to take all sorts of forms, also belonged to Poseidon’s large retinue. When the Greek sailors began to sail far away, then, returning, they amazed their people with myths about the wonders of the western sea: about the sirens, beautiful sea maidens who live there on underwater islands under the bright surface of the waters and with seductive singing insidiously lure sailors to destruction, about the good Glaucus , the sea god who predicts the future, about the terrible monsters Scylla and Charybdis (personifications of a dangerous rock and whirlpool), about the wicked Cyclops, one-eyed giants, the sons of Poseidon, living on the island of Trinacria, where Mount Etna is, about the beautiful Galatea, about a rocky, walled island , where the god of the winds Aeolus lives cheerfully in a magnificent palace with his airy sons and daughters.

Underground gods – Hades, Persephone

The greatest similarity with eastern religions in the myths of Ancient Greece was the worship of those gods of nature who acted both in the bowels of the earth and on its surface. Human life is in such close connection with the development and withering of vegetation, with the growth and ripening of bread and grapes, that worship, folk beliefs, art, religious theories and myths about the gods connected their most profound ideas with the mysterious activities of the gods of the earth. The circle of phenomena of plant life was a symbol of human life: luxurious vegetation quickly fades from the heat of the sun or from the cold; It dies with the onset of winter and is reborn in the spring from the ground in which its seeds hid in the fall. Ancient Greek mythology it was easy to draw a parallel: so a person, after a short life under the joyful light of the sun, descends into the dark underground kingdom, where instead of the radiant Apollo and the bright Pallas Athena, the gloomy, stern Hades (Hades, Aidoneus) and the stern beauty, his formidable wife, reign in a magnificent palace Persephone. Thoughts about how close birth and death are to each other, about the fact that the earth is both the mother’s womb and the coffin, served in the myths of Ancient Greece as the basis for the cult of the underground gods and gave it a dual character: there was a joyful side and a sad side. And in Hellas, as in the East, service to the gods of the earth was exalted; its rituals consisted of expressing feelings of joy and sadness, and those performing them had to endlessly indulge in the action of the emotional disturbances they caused. But in the East, this exaltation led to the perversion of natural feelings, to the fact that people mutilated themselves; and in Ancient Greece, the cult of the gods of the earth developed the arts, stimulated reflection on religious issues, and led people to acquire sublime ideas about divinity. The festivals of the gods of the earth, especially Dionysus, greatly contributed to the development of poetry, music, and dance; plastic artist loved to take objects for her works from the circle of ancient Greek myths about cheerful fantastic creatures accompanying Pan and Dionysus. And the Eleusinian mysteries, the teachings of which spread throughout the Greek world, gave profound interpretations to the myths about the “earth-mother,” the goddess Demeter, about the abduction of her daughter (Kore) Persephone by the harsh ruler of the underworld, about the fact that Persephone’s life goes on on earth, then underground. These teachings inspired people that death is not terrible, that the soul survives the body. The forces ruling in the bowels of the earth aroused reverent caution in the ancient Greeks; it was impossible to speak about these forces without fear; thoughts about them were conveyed in the myths of Ancient Greece about the gods under the guise of symbols; they were not expressed directly, they had only to be unraveled under allegories. Mysterious teachings surrounded these formidable gods with solemn mystery, in the secrecy of darkness creating life and perceiving the dead, ruling the earthly and afterlife of man.

Persephone's gloomy husband, Hades (Hades), “Zeus of the underworld,” rules in the depths of the earth; there are sources of wealth and fertility; therefore he is also called Pluto, the “enricher.” But there are all the horrors of death. According to ancient Greek myths, wide gates lead to the vast dwelling of the king of the dead, Hades. Everyone can enter them freely; their guardian, the three-headed dog Cerberus, kindly lets those entering through, but does not allow them to return back. Weeping willows and barren poplars surround the vast palace of Hades. The shadows of the dead hover over gloomy fields overgrown with weeds, or nest in the crevices of underground rocks. Some of the heroes of Ancient Greece (Hercules, Theseus) went to the underground kingdom of Hades. According to various myths, the entrance to it was different countries, but always in wild areas, where rivers flow through deep gorges, the water of which seems dark, where caves, hot springs and vapors show the proximity of the kingdom of the dead. Thus, for example, there was an entrance to the underworld at the Thesprotian Gulf in southern Epirus, where the Acheron River and Lake Acheruz infected their surroundings with miasma; at Cape Tenar; in Italy, in a volcanic area near the city of Qom. In the same areas there were those oracles whose answers were given by the souls of the dead.

Ancient Greek myths and poetry spoke a lot about the kingdom of the dead. Fantasy sought to give curiosity accurate information that science did not provide, to penetrate the darkness surrounding the afterlife, and inexhaustibly created new images belonging to the underworld.

The two main rivers of the underworld, according to Greek myths, are the Styx and Acheron, “the dully roaring river of eternal sorrow.” In addition to them, there were three more rivers in the kingdom of the dead: Lethe, whose water destroyed the memory of the past, Pyriphlegethon (“Fire River”) and Cocytus (“Sobbing”). The souls of the dead were taken to the underworld of Hades by Hermes. Stern old man Charon transported in his boat through the Styx, which surrounded the earthly kingdom, those souls whose bodies were buried with an obol placed in the coffin to pay him for the transportation. The souls of unburied people had to wander homeless along the river bank, not accepted into Charon’s boat. Therefore, whoever found an unburied body was obliged to cover it with earth.

The ideas of the ancient Greeks about the life of the dead in the kingdom of Hades changed with the development of civilization. In the oldest myths, the dead are ghosts without consciousness, but these ghosts instinctively do the same things they did when they were alive; – these are the shadows of living people. Their existence in the kingdom of Hades was dreary and sad. The shadow of Achilles tells Odysseus that she would rather live on earth as a day laborer for a poor man than to be the king of the dead in the underworld. But making sacrifices to the dead improved their miserable fate. The improvement consisted either in the fact that the severity of the underground gods was softened by these sacrifices, or in the fact that the shadows of the dead drank the blood of the sacrifices, and this drinking restored them to consciousness. The Greeks offered sacrifices to the dead at their tombs. Facing the west, they slaughtered the sacrificial animal over a deep hole deliberately dug in the ground, and the blood of the animal flowed into this hole. Later, when ideas about the afterlife were more fully developed in the Eleusinian mysteries, the myths of Ancient Greece began to divide the underground kingdom of Hades into two parts, Tartarus and Elysium. In Tartarus, the villains, condemned by the judges of the dead, led a miserable existence; they were tormented by the Erinyes, strict guardians of moral laws, who inexorably took revenge for any violation of the requirements of moral sense, and by countless evil spirits, in the invention of which Greek fantasy showed the same inexhaustibility as Egyptian, Indian and medieval European. Elysium, which, according to ancient Greek myths, lay near the ocean (or an archipelago on the ocean called the Isles of the Blessed) was the region of the afterlife of heroes of ancient times and the righteous. There the wind is always soft, there is no snow, no heat, no rain; there, in the myths about the gods, the good Cronus reigns; the earth gives harvest there three times a year, the meadows there bloom forever. Heroes and the righteous lead a blissful life there; on their heads there are wreaths, near their hands there are garlands of the most beautiful flowers and branches of beautiful trees; they enjoy singing, horse riding, and gymnastic games.

The most just and wise kings-legislators of the mythical Cretan-Carian time live there, Minos and Rhadamanthus, and the pious ancestor of the Aeacides, Aeacus, who, according to later myth, became judges of the dead. Under the chairmanship of Hades and Persephone, they examined the feelings and affairs of people and decided, based on the merits of the deceased person, whether his soul should go to Tartarus or Elysium. – Just as they and other pious heroes of ancient Greek myths were rewarded for their beneficial activities on earth by continuing their activities in the afterlife, so the great lawless people of mythical stories were subjected by divine justice to punishments in accordance with their crimes. Myths about their fate in the underworld showed the Greeks what bad inclinations and passions lead to; this fate was only a continuation, a development of the deeds they had committed in life and which gave rise to the torment of their conscience, the symbols of which were pictures of their material torment. Thus, the daring Tityus, who wanted to rape the mother of Apollo and Artemis, lies thrown to the ground; two kites constantly torment his liver, an organ that, according to the Greeks, was the seat of sensual passions (an obvious alteration of the myth of Prometheus). The punishment for another mythical hero, Tantalus, for his former lawlessness was that the cliff hanging over his head constantly threatened to crush him, and besides this fear he was tormented by thirst and hunger: he stood in the water, but when he bent down to drink, the water moved away from his lips and dropped “to the black bottom”; fruits hung before his eyes; but when he stretched out his hands to pluck them, the wind lifted the branches upward. Sisyphus, the treacherous king of Ephyra (Corinth), was condemned to roll a stone up a mountain, which constantly rolled down; - the personification of the waves constantly running onto the shores of the Isthmus and running off them. The eternal futile labor of Sisyphus symbolized unsuccessful cunning in ancient Greek myths, and the cunning of Sisyphus was the mythical personification of the quality developed in merchants and sailors by the riskiness of their affairs. Ixion, king of the Lapiths, “the first murderer,” was tied to a fiery, ever-turning wheel; this was his punishment for the fact that, while visiting Zeus, he violated the rights of hospitality and wanted to rape the chaste Hera. – The Danaids always carried water and poured it into a bottomless barrel.

Myths, poetry, and art of Ancient Greece taught people goodness, turned them away from vices and evil passions, depicting the bliss of the righteous and the torment of the wicked in the afterlife. There were episodes in myths that showed that, having descended into the underworld, one can return from there to earth. So, for example, it was said about Hercules that he defeated the forces of the underworld; Orpheus, by the power of his singing and his love for his wife, softened the harsh gods of death, and they agreed to return Eurydice to him. In the Eleusinian mysteries, these legends served as symbols of the idea that the power of death should not be considered insurmountable. Ideas about the underworld of Hades received an interpretation in new myths and sacraments that reduced the fear of death; the gratifying hope of bliss in the afterlife was manifested in Ancient Greece under the influence of the Eleusinian mysteries, and in works of art.

In the myths of Ancient Greece about the gods, Hades little by little became the good ruler of the kingdom of the dead and the giver of wealth; the attributes of horror were eliminated from ideas about it. The genius of death in ancient works art was depicted as a dark-colored boy with crooked legs, symbolizing the idea that life is broken by death. Little by little, in ancient Greek myths, he took on the appearance of a beautiful young man with a bowed head, holding in his hand an overturned and extinguished torch, and became completely similar to his meek brother, the Genius of Sleep. They both live with their mother, Night, in the west. From there, every evening, a winged dream flies in and, sweeping over people, showers calm on them from a horn or from a poppy stalk; he is accompanied by the geniuses of dreams - Morpheus, Phantasm, bringing joy to the sleeping. Even the Erinyes lost their mercilessness in ancient Greek myths and became the Eumenides, “Well-wishers.” So, with the development of civilization, all the ideas of the ancient Greeks about the underground kingdom of Hades softened, ceased to be terrible, and its gods became beneficial, life-giving.

The goddess Gaia, who was the personification of the general concept of the earth, generating everything and taking everything back into itself, did not appear in the foreground in the myths of Ancient Greece. Only in some of the sanctuaries that had oracles, and in the theogonic systems that set out the history of the development of the cosmos, was mention of her as the mother of the gods. Even the ancient Greek oracles, which originally all belonged to her, almost all passed under the authority of the new gods. The life of nature developing on earth was produced from the activity of the deities who ruled its various regions; service to these gods, who had a more or less special character, is in very close connection with the development of Greek culture. The power of vegetation, producing forests and green meadows, vines and bread, was explained even in Pelasgian times by the activity of Dionysus and Demeter. Later, when the influence of the East penetrated into Ancient Greece, these two gods were joined by a third, borrowed from Asia Minor, the earth goddess Rhea Cybele.

Demeter in the myths of Ancient Greece

Demeter, “earth-mother,” was in the myths of Ancient Greece about the gods the personification of that force of nature, which, with the assistance sunlight, dew and rain gives growth and ripening to bread and other fruits of the fields. She was a “blond” goddess, under whose protection people plow, sow, reap, knit bread into sheaves, and thresh. Demeter gives harvests. She sent Triptolemus to walk all over the earth and teach people arable farming and good morals. Demeter married Jasion, the sower, and bore him Plutos (wealth); she punished the wicked Erysichthon, who “spoils the earth,” with insatiable hunger. But in the myths of Ancient Greece she is also the goddess of married life, giving birth to children. The goddess who taught people agriculture and proper family life, Demeter was the founder of civilization, morality, and family virtues. Therefore, Demeter was the “giver of laws” (Thesmophoros), and the five-day festival of Thesmophoria, “laws,” was celebrated in her honor. The rituals of this holiday, performed by married women, were a symbolic glorification of agriculture and marriage. Demeter was the main goddess of the Eleusinian festival, the rites of which had as their main content the symbolic glorification of the gifts people received from the gods of the earth. The Amphictyon League, which met at Thermopylae, was also under the patronage of Demeter, the goddess of civil improvement.

But the most high value The cult of the goddess Demeter was that it contained the doctrine of the relationship between life and death, the bright celestial world and the dark kingdom of the bowels of the earth. The symbolic expression of this teaching was the beautiful myth of the abduction of Persephone, daughter of Demeter, by the ruthless ruler of the underworld. Demeter "The Sorrowful" (Achaia) walked all over the earth, looking for her daughter; and in many cities the festival of Demeter the Sorrowful was celebrated, the sad rites of which bore a resemblance to the Phoenician cult of Adonis. The human heart yearns for clarification of the question of death; The Eleusinian mysteries were an attempt by the ancient Greeks to solve this riddle; they were not a philosophical exposition of concepts; they acted on the feeling with aesthetic means, consoled, aroused hope. Attic poets said that blessed are those dying who are initiated into the Eleusinian mysteries of Demeter: they know the purpose of life and its divine beginning; For them, the descent into the underworld is life, for the uninitiated it is horror. Demeter's daughter, Persephone, was in the myths of Ancient Greece about the gods the connection between the kingdom of the living and the underworld; she belonged to both.

Myths about the god Dionysus

For more details, see the separate article God Dionysus

Dionysus in the myths of Ancient Greece about the gods originally personified the abundance of plant power. It was clearly manifested in the form of bunches of grapes, whose juice intoxicates people. The vine and wine became symbols of Dionysus, and he himself became the god of joy and fraternal rapprochement of people. Dionysus is a powerful god who overcomes everything hostile to him. Like Apollo, he gives inspiration, excites a person to sing, but not harmonious, but wild and violent songs, reaching the point of exaltation - those that later formed the basis of ancient Greek drama. In the myths of Ancient Greece about Dionysus and in the holiday of Dionysius, various and even opposite feelings were expressed: the joy of that time of year when everything blooms, and sadness when the vegetation withers. Joyful and sad feelings then began to be expressed separately - in comedies and tragedies that arose from the cult of Dionysus. In ancient Greek myths, the symbol of the generative force of nature - the phallus - was closely related to the veneration of Dionysus. Initially, Dionysus was a rude god of the common people. But in the era of tyranny its importance increased. The tyrants, who most often acted as leaders of the lower classes in the struggle against the nobility, deliberately contrasted the plebeian Dionysus with the refined gods of the aristocracy and gave the festivities in honor of him a broad, national character.

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