"Fun in Russia" Andrei Bely
How they carried a flask for a flask -
They drank fiery moisture.D'pumped up -
I.
D'danced -
I.Deacon, clerk, pop, sexton
They threw it on the meadow.Eh -
Sin people!
Oh - chickens laugh!Trepak-pack went sweepingly: -
Trepak, soul, go-go-go-go:Trepaka yes in the meadows,
Yes, on the borders, yes in the forests -Yes, handle it!
On the way, legs and legs went back and forth,
Yes, along the path, come on, come on, come on -Let's stomp!
What is there to think, what to expect there:
Blow, spit, don't give a damn:
Don't give a damn and trample on:
Have fun, drink and eat.Homiletics, canon -
Blow-blow-blow, my harmonica!The deacon is dancing
Deacon, deacon
The cassock waves -
Deacon, deacon
What, deacon, is death?
-"What's happened? This and that:
Nose - in a puddle, heel - in the firmament ... "……………………………….
Scattered in the wind - dancing -
Field pole:-Branch waving squelching
Right into the firmament.Turquoise wave
Undead firmament.Over my native country
Death has risen.
Analysis of the poem by Andrei Bely "Fun in Russia"
The poet Andrei Bely is one of the brightest representatives of Russian symbolism, whose work has a pronounced folk character. The poems of this poet very subtly imitate Russian speech, replete with words of the colloquial genre. Thus, according to Andrei Bely himself, he wanted to convey his works to ordinary people, hoping that they would be more understandable to them if they did not use “high calm”, but words from everyday life.
These works include the poem "Fun in Russia", written in 1906. It should be noted that the poet perceived the events of 1905 with enthusiasm, since he believed that Russian state rotten from base to top. But at the same time, Bely openly expressed doubts about the fact that a simple peasant, far from politics, would be able to build new world in which equality and brotherhood will reign.
One of the reasons why such an idyll is impossible, the poet considered the most terrible national vice - drunkenness. Moreover, he sincerely wondered why people associate the drinking of alcoholic beverages with a holiday and a kind of spiritual uplift. After all, "fiery moisture" does not spare anyone, and after the so-called folk festivals, everyone without exception becomes its victim. “Deacon, clerk, priest; the deacon was thrown onto the meadow, ”the poet notes, thereby emphasizing that drunkenness in Russia flourishes not only among the common people, but also among the clergy - the so-called white caste, which must fight for the salvation of human souls.
However, when there is fun in Russia, both old and young forget about morality. The motto of the walkers, according to the poet, is very simple and primitive in its frankness: "Don't give a damn and trample on: have fun, drink and eat." At the same time, no one feels repentance because of drunken walks, fights, public foul language and mass psychosis, to which people who take part in folk festivals are subject. In this poem, the poet very clearly displays the image of a clergyman who, after libations in public, starts dancing, “with his nose into a puddle, his heel into the firmament.” The author emphasizes that with such proteges of God, the people have no choice but to fill their anguish with vodka and wait for the end of the earthly age in order to find solace in the grave. That is why the white man ends his poem on a very pessimistic note, stating: "Death has risen over my native country."
Many Russian poets have poems dedicated to their homeland. However, not all of them can boast of objectivity and the fact that they reflect the other side of the coin. The poet Andrei Bely, rightfully considered one of the brightest Russian symbolists, in his works paid great attention to the real reflection of reality. Apparently, for this reason, even the lyrical poems of this author wore a decadent shade and were permeated with either gloomy humor or sarcasm.
In 1908, Andrei Bely, on the wave of Russian patriotism, published the poem "Motherland", However, it was not sustained in the way that the public was used to. Instead of a laudatory ode, the poet tried to present his country, if not objectively, then at least without false embellishment. Indeed, it is difficult to accuse the author of a deliberate desire to distort reality, if, along with admiration for Russia, he allows himself to openly declare that its main attractions are "the cold rustle of the meadow, the starving, poor people."
In part, such phrases were connected with the events of 1905, when it became clear that a real revolution was not far off. Many Russian poets were impressed by the coup attempt at that time, and Andrei Bely was no exception in this regard. However, if Alexander Blok radically changed his views on the revolution, making sure that, apart from hunger, devastation and death of people, it is not capable of giving Russia anything, then Andrei Bely adhered to a diametrically opposite point of view. He was convinced that the country needed to radically change everything. True, the author did not think about what price this would have to do.
In the meantime, for Andrei Bely "and in expanse, in freedom - captivity," he sees the world in a rather pessimistic light and sympathizes with those who are tired of living in poverty. The philosophy of Andrei Bely is such that he personally is ready to die for freedom, rather than while away his days in anticipation that soon "insatiable swarms of death" will take his life as well.
Turning to his homeland, which has already become alien and incomprehensible to him, the poet notes: "A fatal country, icy." In fact, he feels the power of the Russian state, but he cannot understand why nothing around him changes from year to year. “Mother Russia, oh evil motherland, who played a trick on you like that?” the poet asks, not realizing that every new generation of his fellow tribesmen asks the same question.
"Rus" Andrei Bely
The fields of my meager land
Over there, filled with sorrow.
Hills of space away
Hump, plain, hump!Shaggy, distant smoke.
Shaggy villages in the distance.
A shaggy stream of fogs.
Expanses of hungry provinces.Expanses outstretched army:
Spaces hide in spaces.
Russia, where should I go?
From hunger, pestilence and drunkenness?From hunger, cold here
Millions are dying and dying.
The dead were waiting and waiting
Gentle mournful slopes.There Death trumpeted in the distance
In forests, towns and villages,
In the fields of my meager land,
In the open spaces of hungry provinces.
Analysis of Andrei Bely's poem "Rus"
"Rus" is one of the most gloomy poems of Andrei Bely. It is included in the collection "Ashes", section "Russia". It was written in 1908 at the Silver Well estate. This work consists of five quatrains with a simple cross rhyme. Poetic size - amphibrach.
Andrei Bely himself is the lyrical hero of the poem. When reading, one gets the impression that he is wandering somewhere far from human habitation, contemplating the landscapes of Mother Russia. However, this is not an enthusiastic admiration of paintings. native nature, but a dreary contemplation of the miserable existence of all living things. Here, for example, with what bitter epithets the poet endows the country where he lives: “scarce land”, “hungry provinces”. Lush generous ears of corn are not golden in the fields, capable of satiating all those in need. Instead, the expanses are sown with grief, or, as the author writes, “full of sorrow,” because the earth will not bring forth enough bread, and there is not enough food for people.
The world around is seen by the poet in gloomy colors. Using anaphora and repetition (“shaggy smoke”, “shaggy villages”, “shaggy stream of fogs”), the author shows how monotonous the landscape is. Andrei Bely found a very suitable epithet. When you come across the word “shaggy” in literature, you always imagine a short, long-shorn little man in dirty, worn out clothes. Objects produce a similar impression: both smoke and fog, and human dwellings seem tormented, battered by life. In this sense, natural phenomena and the creations of human hands demonstrate an amazing kinship in this sad untidiness of theirs.
The poet notices an important property of his homeland - its immensity. With the help of a spectacular metaphor “spaces lurk in spaces”, which is reminiscent of the famous nesting dolls, he shows that there is no end to the Russian land. Alliteration is also used here (the consonants “s”, “t”, “p”, “p” are repeated: “open spaces”, “stretched”, “army”, “spaces”). But this does not sound proud, but rather depressing, since the vastness of the territory does not at all imply that the people living on it prosper.
Indeed, hunger was a constant attribute of life in Russia. This word is used very often in the poem. The author enhances the drama of the lines by adding gradations (“from hunger, pestilence and drunkenness ...”), alliteration (“and millions died, and millions die”), anaphoras (“To the forests ... To the fields ... To the expanses ...”). Andrei Bely ends the work with what he began, once again emphasizing how difficult his homeland lives.
The philosophical lyrics of Blok are written in images inherent in symbolism, which do not mean what it seems. You can not take them literally, because from this the poem will lose its semantic richness. That is why "Rus" must be re-read over the years: the older the reader becomes, the better he understands the essence of the work. Text analysis will also help you understand what you read.
Throughout its creative way Blok was looking for answers to all the pressing questions of his time, so it is not surprising that he often reflected on patriotism. common topic The poem is already defined by the very name "Rus". This is one of Blok's first direct addresses to the theme of Russia as an independent one. Why Russia? If we choose definitions, then the first one is “ancient”. The block, as if from a cosmic height, surveys the vast expanses of the motherland, the life of the people, traditions that have been developing over the centuries. With mostly intertwined themes of nature, historical memory, morality, spiritual growth, sacred love, incomprehensible creative process. All of them are connected with each other and form a single semantic layer of the work.
Image of the Motherland
Russia was famous for its rich history, combining various cultures and traditions that found shelter in this mysterious country. The image of the motherland is mysterious, mysterious, it is difficult to fit it into a certain framework, to give a clear form. The lyrical hero sees her as if half asleep, in a "drowse", trying to unravel the "mystery". Centuries succeeded each other - the face of Russia also changed. The poem unfolds the image of a fabulous land with sorcerers, fortune tellers, sorcerers. With the cries of cranes - a symbol of fidelity, love, memory of those who have gone to another dimension. Russia is "belted" by rivers, dense forests, impassable thickets, impenetrable swamps.
Severe winters, severe frosts, snowy whirlwinds are a symbol of the difficult fate of the people, who have experienced many trials created by civil strife, wars, and diseases. The reader's gaze opens up a "poor" country with "fragile" housing, impassability. But in joy and sorrow, a song sounds over the expanse.
The image of the motherland is represented by a dual one: on the one hand, a difficult, dramatic fate, on the other, a cheerful song beginning.
Genre and size of the poem
The poem can be attributed to philosophical lyrics or "lyrics of direct utterance". It is built in the form of the poet's appeal to Russia, therefore it is both a commendable word and a declaration of love.
The size in which the poem is written is iambic tetrameter. Each stanza has four lines (quatrain) with cross-rhyming. The lightness and airiness of the poem is given by the pyrrhic (two-syllable unstressed foot) found in each line. Spondey (weighted foot of two stressed syllables) serves to additionally highlight the word. Highlighting the words "you" and "Rus" at the beginning of the first and second stanzas, the poet emphasizes a trusting, respectful, personal attitude towards the homeland. The use of the repeated word "where" at the beginning of stanzas from the third to the seventh inclusive (anaphora) allows readers to focus on the pictures that create an accurate and vivid image of Russia. The intensity of the spiritual life of the lyrical hero required appropriate rhythms. Block often referred to dolnik, that is, he broke a lyrical work into parts with one shock and several unstressed sounds. The size of the poem "Rus" - tripartite.
Composition
Compositionally, two parts can be distinguished: firstly, a wide panorama of the life of Russia with picturesque nature and poverty of the peoples inhabiting it is given, and, secondly, a lyrical hero is presented with his feelings, dramatic feelings about the fate of the motherland and his place in this world. Blok clearly “marked” the boundary between the two parts of the lyrical text, using the adverb SO at the beginning of the seventh stanza. This technique in the poetic text is called assimilation that is, the previous text is a figurative comparison to what will be said next. In general, the composition of the Rus poem can be called classical: at the end of the work, the lines of the beginning are repeated. The circle closes. Such a structure is called a ring.
Deliberate repetitions suggest that the poet wants to paint a large-scale picture of Russia in a few words in order to understand where and what her “secret” lies. If at first the rhythm from the repeated “where” constantly speeds up, then after the sixth stanza a break in intonation occurs: the rhythm slows down, forming, as it were, “conditions” for the thoughts of the lyrical hero. It seems that the author has calmed down, his soul has acquired a foothold. The poem is dynamic, but the external movement is a reflection of the intense inner life of the poet.
Means of artistic expression
Blok is a master of pictorial and musical beginnings in his work. He creates "pictures of life", using contrasting colors to display different moods, feelings, conditions of life. The colors are white, golden, blue, azure (favorite!) - and black, gray paint. The color in the word can be felt internally, associatively: “night”, “whirlwind”, “poverty”, “blizzard”, “rags” - the dark side of life, a gloomy attitude and perception of the environment. Bright feelings of hope for a better life, self-confidence "sound" in the words: "extraordinary", "passionate", "round dances", "songs".
An important place belongs to the symbolism. The “path”, “crossroads” at Blok is not only off-road, difficulties in moving “with a stick”, pilgrimage. This is a symbol of the choice of the road along which the development of the country will go. The road is not easy, often crossed by crossroads. It is also a symbol of the choice of one's fate as a lyrical hero, and indeed every person.
Why did the lyrical hero "trodden" the "sad" "night" path to the cemetery? The symbol of "night" is important not only from the point of view of an indirect synonym for the "dark" side of life. At night, time flows in a special way, it seems to stop, the space seems to expand, creating an intimate atmosphere for a person to think “about the fate of ... the motherland”, not allowing him to prevaricate in front of the ashes of the dead.
Referring to the homeland, Blok uses high solemn vocabulary and outdated, with a touch of respect: “you will rest” (and not just “sleep”), cereals in the fields “enchant” (that is, “make an irresistible impression”).
Vivid metaphors are used to create images: Russia is “girded with rivers”, “I won’t touch your clothes”. The transfer of the meaning of words in these examples unusually expands the space, the whole country opens before us. Or: "all the ways and all the crossroads are exhausted with a living stick." As accurately as possible to describe the difficult fate of the motherland!
A few tropes: epithets (the gaze is “muddy”, peoples are “diverse”, sweeps “violently”), personification (the whirlwind “whistling sings”), paraphrase (“in the rags of her rags”) - allow the reader to come closer to understanding the author’s cherished thoughts and empathize his feelings.
Each poem is like a song with its own sound. The poet "uses" the technique of assonance to convey a "live" picture: And a girl against an evil friend // Sharpens her blade under the snow.
main idea
Each person is well aware that his fate is closely intertwined with the fate of his homeland. These are the strongest and most reliable threads that allow people to build their lives correctly. Let the fate of a person not always develop smoothly (and this is hardly possible!), But it is impossible to be indifferent to the fate of the motherland: the most reliable bonds are torn, the soul becomes empty, collapse occurs. The Motherland undividedly takes possession of Blok's soul, forcing out all sorrows and sorrows from it. Whatever trials may befall the country, Russia preserves its moral purity and tender soul. These are the sources that give strength, allow the heart to maintain morality, faith in the future and gain confidence in the present.
Interesting? Save it on your wall!The poem "Motherland" by Andrei Bely is interesting in that Russia is represented in it with almost no embellishment. Brief analysis“Motherland” according to the plan will help 7th grade students understand what kind of poet saw his country. The material can be used in the literature lesson as the main or additional.
Brief analysis
History of creation- The year 1908 was marked by a wave of Russian patriotism, which also picked up Andrei Bely. It was then that the poem was written. It was published in the same year. In 1901, the collection Ashes was published, which included this work.
Theme of the poem- love for the motherland, despite its shortcomings.
Composition- monosyllabic, the poem from the first to the last stanza develops the consistent intention of the author.
genre- civic poetry.
Poetic size- tripartite anapaest.
epithets – “reddish sunrise”, “cold rustling”, “starving, poor people”, “harsh lead edge”, “cold field”, “hopeless exclamations”, “fatal country, icy”.
Metaphors – “the rustle of the glade”, “the edge sends a cry”, “flocks of unsatiated deaths”, “the wind conveys”, “people are mowed over the slopes”.
History of creation
In 1908, when Russia was between two revolutions, many poets turned to the patriotic theme. Andrei Bely did not stand aside either, but he, unlike many fellow writers, did not write a laudatory ode, but a realistic, even a little cruel work. The poem “Motherland” was published in the same year, a little later it was included in the collection “Ashes”, which was published in 1910.
Bely really worried about the fate of Russia, this is a work of suffering.
Topic
The verse is dedicated to the theme of the Motherland, Russia. The poet loves her, but sees her shortcomings - she treats her children not like a mother, but like a stepmother. The country is starving, people are dying in suffering. He looks around quite pessimistically and sees not beautiful palaces and monuments, but poverty.
Composition
The poem is one-part - from the very first stanza, Bely develops the theme of people's misfortunes. He describes a country where death reigns, where there is a lot of crying and a lot of complaining. At the end, he asks Russia a rhetorical question about who cursed her, implying that it is impossible to live in a country where every person is like an unloved child.
The poet does not embellish his homeland, it is obvious to him that changes are vital to her. He not only sees the problems, but also boldly declares them, shows Russia from an unattractive point of view, in an unusual way for the reader.
genre
This is a civic lyric with philosophical elements - reflections on the fate of the motherland, which is deeply indifferent to the author. He writes harshly about her, but this is criticism caused by sincere empathy, pain for his country and his people. Nothing changes from year to year - the poet sees this and suffers from it. He cannot be silent.
The poem is written in three-foot anapaest - thus Bely simultaneously pays tribute to Nekrasov and makes a reference to his civil lyrics .. Total ratings received: 299.
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